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Class Catalog

Browse Summer and Fall Writing Classes!

Hugo House: Your best source for online writing classes in Seattle and around the world.

For more information on the schedule,  the various formats of our writing classes, and cancellation policies, check out our About page. Information about Scholarships can be found on its own new page. Or, go meet our talented instructors.

For help finding writing classes, or if you’ve registered for an online class but haven’t received a Zoom link, contact our registrar or call us at 206.322.7030.

All classes are in Pacific Time. Some summer writing classes may be held in person if stay-at-home directives are lifted and gatherings are again permitted. Remote (Zoom) access to all classes will continue, however, for anyone who cannot or prefers not to attend in person. If a class has (ZOOM) in the title, it will remain on Zoom regardless of stay-at-home directives.

If you would like to receive our quarterly catalogs in the mail, please contact us.


Fall Registration Dates

All registrations open at 10:30 am

$500+ Donor Registration (by phone only): August 17
Member Registration: August 18
General Registration: August 25


Early Bird Pricing August 17 through August 31:

  • $10 off classes that are one to three sessions
  • $20 off classes that are four to eight sessions
  • $30 off classes that are ten sessions or more

Early bird pricing will automatically apply at checkout. 

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Heart and Soul

This class will take place via video-conferencing (Zoom), Pacific Time. All Levels | This three-hour seminar is for memoir/nonfiction writers who have a story to tell that has something to do with soul, spirit, religion, meditation, belief, lack of belief,…

Course Type: 1 Session  |   Instructor: Ann Hedreen

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Start Date: 08/22/2020 – 1:10 pm
3 seats available

Ann Hedreen

Ann Hedreen is an author (Her Beautiful Brain, winner of a Next Gen Indie Award), teacher and documentary filmmaker. Her blog, The Restless Nest earned an honorable mention from the National Society of Newspaper Columnists. She has also been published in 3rd Act Magazine, Crosscut, Verbalist’s Journal, The Seattle Times, Minerva Rising and other publications. Her films, including Zona Intangible, Quick Brown Fox: an Alzheimer’s Story and The Church on Dauphine Street, have won many awards. She recently finished a second memoir: After Ecstasy: Memoir of an Observant Doubter.

Teaching philosophy: I believe that writing our own stories transforms our lives. Powerfully. Radically. Not necessarily overnight, because writing is work, but I believe that when writers are doing that work, transformation begins to happen. I’ve seen it in older adults, writing seriously for the first time in their lives; I’ve seen it in teens under court supervision. I’ve seen it in myself. I believe everyone who wants to write can learn to write. I believe everyone has a story to tell. I also believe it’s easy to frighten a fledgling writer. When I teach, I do everything in my power to make sure that doesn’t happen. I want my students to discover that they really do have something to say and a voice, uniquely theirs, with which to say it.

Writer(s) I always return to: Anne Lamott. Gloria Steinem. The poetry of Rumi, Denise Levertov and Kathleen Flenniken (especially Plume). Two memoirs by famous novelists: Vladimir Nabokov’s Speak, Memory and Ernest Hemingway’s A Moveable Feast, and one by a poet: Maya Angelou’s I Know Why the Caged Bird Sings.

Favorite writing advice: From Brenda Uelland's Me: a Memoir: “Whenever people write from their true selves (not from their bogus literary selves) it is interesting and one is pulled along into it; and it does me good to read it, and it does them good to write it; it makes them freer and bolder in every way.”

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Taking Notes on Your Life: Journal Writing

All Levels | Keeping a journal is the most private form of writing. It’s where we ruminate, vent, and wail with no holds barred. But it can also be the compost from which to grow writing of all kinds. In…

Course Type: 1 Session  |   Instructor: Ann Hedreen

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Start Date: 09/23/2020 – 10:00 am
Registration for this class has not started.

Ann Hedreen

Ann Hedreen is an author (Her Beautiful Brain, winner of a Next Gen Indie Award), teacher and documentary filmmaker. Her blog, The Restless Nest earned an honorable mention from the National Society of Newspaper Columnists. She has also been published in 3rd Act Magazine, Crosscut, Verbalist’s Journal, The Seattle Times, Minerva Rising and other publications. Her films, including Zona Intangible, Quick Brown Fox: an Alzheimer’s Story and The Church on Dauphine Street, have won many awards. She recently finished a second memoir: After Ecstasy: Memoir of an Observant Doubter.

Teaching philosophy: I believe that writing our own stories transforms our lives. Powerfully. Radically. Not necessarily overnight, because writing is work, but I believe that when writers are doing that work, transformation begins to happen. I’ve seen it in older adults, writing seriously for the first time in their lives; I’ve seen it in teens under court supervision. I’ve seen it in myself. I believe everyone who wants to write can learn to write. I believe everyone has a story to tell. I also believe it’s easy to frighten a fledgling writer. When I teach, I do everything in my power to make sure that doesn’t happen. I want my students to discover that they really do have something to say and a voice, uniquely theirs, with which to say it.

Writer(s) I always return to: Anne Lamott. Gloria Steinem. The poetry of Rumi, Denise Levertov and Kathleen Flenniken (especially Plume). Two memoirs by famous novelists: Vladimir Nabokov’s Speak, Memory and Ernest Hemingway’s A Moveable Feast, and one by a poet: Maya Angelou’s I Know Why the Caged Bird Sings.

Favorite writing advice: From Brenda Uelland's Me: a Memoir: “Whenever people write from their true selves (not from their bogus literary selves) it is interesting and one is pulled along into it; and it does me good to read it, and it does them good to write it; it makes them freer and bolder in every way.”

See current classes >

Writing Memoir in the Middle of It All

All Levels | The deep time travel required of memoir writers demands intense focus. But what if the world around you, as the old song goes, just came down one day? And you’re “in the middle of it all?” How…

Course Type: 1 Session  |   Instructor: Ann Hedreen

View Details

Start Date: 10/25/2020 – 1:10 pm
Registration for this class has not started.

Ann Hedreen

Ann Hedreen is an author (Her Beautiful Brain, winner of a Next Gen Indie Award), teacher and documentary filmmaker. Her blog, The Restless Nest earned an honorable mention from the National Society of Newspaper Columnists. She has also been published in 3rd Act Magazine, Crosscut, Verbalist’s Journal, The Seattle Times, Minerva Rising and other publications. Her films, including Zona Intangible, Quick Brown Fox: an Alzheimer’s Story and The Church on Dauphine Street, have won many awards. She recently finished a second memoir: After Ecstasy: Memoir of an Observant Doubter.

Teaching philosophy: I believe that writing our own stories transforms our lives. Powerfully. Radically. Not necessarily overnight, because writing is work, but I believe that when writers are doing that work, transformation begins to happen. I’ve seen it in older adults, writing seriously for the first time in their lives; I’ve seen it in teens under court supervision. I’ve seen it in myself. I believe everyone who wants to write can learn to write. I believe everyone has a story to tell. I also believe it’s easy to frighten a fledgling writer. When I teach, I do everything in my power to make sure that doesn’t happen. I want my students to discover that they really do have something to say and a voice, uniquely theirs, with which to say it.

Writer(s) I always return to: Anne Lamott. Gloria Steinem. The poetry of Rumi, Denise Levertov and Kathleen Flenniken (especially Plume). Two memoirs by famous novelists: Vladimir Nabokov’s Speak, Memory and Ernest Hemingway’s A Moveable Feast, and one by a poet: Maya Angelou’s I Know Why the Caged Bird Sings.

Favorite writing advice: From Brenda Uelland's Me: a Memoir: “Whenever people write from their true selves (not from their bogus literary selves) it is interesting and one is pulled along into it; and it does me good to read it, and it does them good to write it; it makes them freer and bolder in every way.”

See current classes >