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Class Catalog

Browse Summer & Fall Classes!

Hugo House: Your best source for writing classes in Seattle.

For more information on the schedule, scholarships, the various formats of our writing classes, and cancellation policies, check out our About page. Or, go meet our talented instructors.

For help finding classes, contact our registrar or call us at 206.322.7030.

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Fall Registration Dates

All registrations open at 10:30 am

$500+ donor Registration: August 12
Member Registration: August 13
General Registration: August 20


Early Bird Pricing Aug. 12 through Aug. 26:

  • $10 off one-session classes
  • $20 off classes that are two to six sessions
  • $35 off classes that are eight sessions or more

Early bird pricing will automatically apply at checkout. 

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Ten Approaches to the Image

We will write back to images. The course will activate creative, political, emotional, somatic, synesthesiac, analytical, attentional, and game-like responses to images. We will create images with which to create words. We will talk about the difference between words and…

Course Type: 1 Session  |   Instructor: Anne Lesley Selcer

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Start Date: 09/26/2019 – 6:00 pm

Anne Lesley Selcer

Anne Lesley Selcer is an art writer and a poet in the expanded field. Blank Sign Book is a collection of essays moving though the tensions and potentials between art and politics. Sun Cycle, winner of the CSU Poetry Center First Poetry Book Prize will be out September 2019. Named for the star that makes vision possible, it investigates image, power and gender. She is author of from A Book of Poems on Beauty, winner of the Gazing Grain prize, a chapbook emerging from her multidisciplinary research into Western beauty. Anne Lesley’s art writing includes Banlieusard, a commissioned book-length text on media and sense memory for Artspeak and Untitled (a treatise on form) for 2nd Floor Projects, a limited edition pamphlet in tandem with an exhibition. Critical writing appears in Fillip, Art Practical, Hyperallergic, The Capilano Review, Open Space, the anthology New Media Art 2017: Back to Nature, as well as in several exhibition catalogs, the most recent forthcoming this Fall for the Mills College Art Museum. Poetry appears in Fence, The Chicago Review, and Action, Yes! among several other small magazines. Anne Lesley wrote a column for Jacket2 on “art resistant to the transformation of social life into a frontier market” and a series of essays for SFMOMA’s Open Space on language and the moving image. In Vancouver BC, she created the Chroma Reading Series for creative research, artists working in language, and poetry; she was an initiating and contributing editor there to the Public Works anthology of art writing. Her language-based video, sound and text pieces have exhibited at the Krowswork, Visible Verse Festival, Southern Exposure, T-10 Video festival, and on Gauss PDF. Anne Lesley’s practice has been supported by residencies at Krowswork, Mildred’s Lane and Southern Exposure, and in tandem with the Nonsite collective, by The Headlands Center for the Arts and SFCameraworks.

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