Yearlong in Fiction
This yearlong class is open to fiction writers, regardless of genre, and is designed to help writers meet creative goals/deadlines, and provide feedback on their work (whether you're working on short stories, a novel, starting a book, or in your third revision). The aim is for students to be producing work that is ready for publication—many former students have published. The class uses an array of workshop and peer-review techniques to build fluency with craft—controlling narrative time, narrative structure, characterization, tone, voice, and point of view—which empowers writers to make intentional creative decisions (instead of feeling like you're being held hostage by the whims of inspiration). Students will gain control over the craft elements in their work so that they can more easily write and revise with intention.
No class on 11/8, 11/15, 11/22, 11/29, 12/20, 12/27, 1/3, & 4/11.
AVAILABLE UPON REQUEST:
1. Previous years’ syllabi
2. Samples of feedback from instructor
3. Lesson Plans
Payment plans available. Contact firstname.lastname@example.org for more information.
August 22: Scholarship Donation Day (Learn more.)
August 23: Member registration opens
August 30: General registration opens
Peter Mountford is the author of the novels A Young Man's Guide to Late Capitalism (2012 Washington State Book Award in fiction), and The Dismal Science (a NYT editor's choice). His work has appeared in The Paris Review, Southern Review, The Atlantic, The Sun, Granta, and The Missouri Review. He is currently on faculty at Sierra Nevada University's MFA program, teaches at Creative Nonfiction, Hugo House, and is a writing coach and developmental editor. Peter's former students and clients have gone on to publish numerous books and stories and articles, and include two NYT best-selling novelists (Tara Conklin and Rachel Griffin).
Teaching Style and Philosophy: I believe the best I can do for students is help free them from the tyranny of talent and the whims of inspiration, which are fair-weather friends. Instead, I want you to hone your personal aesthetic, and to develop an authorial voice, and most importantly develop fluency with the elements of craft. One you can control what's happening on the page with ease, producing publishable work is no longer a mysterious fluke, but a familiar and non-scary process.