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VIDEO: This class will take place via video-conferencing (Zoom).
What’s the best way to tell the nonfiction story you want to tell? Using generative writing, reading, and an introduction to the workshop model, we will investigate our own personal stories as we look at examples of the form, including memoir, personal essay, and literary journalism. We will discuss work by Jo Ann Beard, Truman Capote, Jamaica Kincaid, Alice Walker, and more. Students will generate 15-20 pages, which will be shared in workshop and receive extensive instructor feedback.
The teacher of this course will be adapting curriculum to offer an online option should preventative measures against coronavirus, such as social distancing, prevent the class from being in-person. We are in uncertain times, but want to make the experience accessible and worthwhile, and are planning for that in advance!
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 6 SessionsNonfiction, Online
Start Date: 04/21/2020
End Date: 05/26/2020
Days of the Week: Tuesday
Time: 10:00 am – 12:00 pm PDT
Minimum Class Size: 5
Maximum Class Size: 15
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$290.00 General Price:
Class has begun, registration is closed.
Beth Slattery moved to Seattle after eighteen years of teaching creative writing and literature at Indiana University East. Since her relocation, she has been writing and editing. Beth is currently working on a collection of personal essays about her mid-life marriage to a Zimbabwean, a move from the Midwest to the Pacific Northwest, and a reluctant acceptance of the call to adventure. Her most recent publications appear in Assay: A Journal of Nonfiction Studies and Southern Women’s Review. Beth’s recent editing work includes being a “beta” reader for an author with a multi-book publishing contract, content and copy editing of a personal essay collection, and providing comprehensive editing services on an edited academic volume that was later published by Oxford University Press. She has an M.A. in fiction writing from Miami University and an M.F.A. in creative nonfiction from the University of Southern Maine—Stonecoast.