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“Light becomes itself in the dark, and becomes nothing when the real light comes.” writes Brenda Shaughnessy in her poem “Streetlamps.” Visual artists use light and shadow to direct our eye and suggest dimension, movement, and mood; how can writers use similar effects, and in what unique ways can they bend the rules? Playing with imagery, tone, shape, pacing, and synesthesia – and looking to poetry as well as painting, photography, film, and dance – we’ll create a new portfolio of work from unusual in-class writing prompts and field notes. All levels welcome; slanted toward poetry, open to prose.
Due to COVID-19, all classes will take place online-either through Zoom or through Wet Ink, our asynchronous learning platform-through the end of 2020.
All times are listed in Pacific Time.
Sierra Nelson is a poet, performer, and installation artist. Her books include forthcoming poetry collection The Lachrymose Report (Poetry Northwest Editions), lyrical choose-your-own-adventure I Take Back the Sponge Cake (Rose Metal Press), and chapbook In Case of Loss (Toadlily). Earning her MFA in Poetry from University of Washington (2002), Nelson is a MacDowell Colony Fellow, Carolyn Kizer Prize winner, Pushcart Prize nominee, and winner of the Carolyn Kizer Prize and Seattle Office of Arts & Culture's CityArtist Grant. She is also co-founder of literary performance groups The Typing Explosion and Vis-à-Vis Society, and president of Seattle's Cephalopod Appreciation Society. For more info: songsforsquid.tumblr.com