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Course Catalog

Making a Scene

All Levels | This is a generative writing workshop which will help students build in-scene writing muscles. Following a series of prompts, this class will help students become more aware of when they are “showing” and when they are “telling,” and the impact this has on the reader. This workshop will equip writers with new, tangible tools to build meaningful, high-impact scenes and make more deliberate choices related to exposition, and active narration.

Instructor: Chavisa Woods

Class Type: 4 Sessions

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Term: Fall 2019

Start Date: 09/16/2019

End Date: 10/07/2019

Days of the Week: Monday

Time: 7:10 pm – 9:10 pm

Minimum Class Size: 5

Maximum Class Size: 15

Early Bird pricing is $20 off through 08/27/2019 so register now!

$196.00 $216.00 Early Bird Member Price:
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$220.00 $240.00 Early Bird General Price:

Chavisa Woods

Chavisa Woods is the author of 100 Times (A Memoir of Sexism), Seven Stories Press, 2019; of which the New York Times said, “This book makes it’s case in stark, personal terms.”

Lambda Literary said, “I suspect this text will become a vital tool for teaching, reclaiming, and collectively mourning for years to come.”

Woods previous book, Things to Do when You’re Goth in the Country (short fiction collection, 225 pages) Seven Stories Press (Distributed by Random House) May, 2017; secured Woods the Shirley Jackson Award, The Cobalt Fiction Prize, the Kathy Acker Award in Writing, and was a finalist for the Lambda Literary Award.

This book also received praise from actress Emma Roberts (American Horror Story/Scream Queens), and Booklist said of the collection, “This Book is tight, intelligent, and important, and sure to secure Woods a seat in the pantheon of critical twenty-first-century voices."

Woods other works include The Albino Album (novel, 600 pages) Seven Stories Press, March, 2013; and Love Does Not Make Me Gentle or Kind (short fiction collection, 200 pages) second edition release from Autonomedia/Umbearables, 2013, original publication by Fly by Night Press 2009.

A MacDowell Fellow, Woods’ fiction and nonfiction has received praise from The New York Times, Publisher’s Weekly, Booklist, Electric Lit, The Rumpus, The Brooklyn Rail, the Lambda Literary Review, The Riverfront Times, Pop Matters, and others.

Her fiction, poetry and essays have been featured in such publications as Tin House, Full Stop, Lit Hub, Electric Lit, The Brooklyn Rail, The Evergreen Review, New York Quarterly, Cleaver Magazine, Jadaliyya, and others.

Woods has appeared as a featured author at such notable venues as The Whitney Museum of American Art, City Lights Bookstore, Town Hall Seattle, The Brecht Forum, The Cervantes Institute, and St. Mark’s Poetry Project, and has presented lectures and conducted workshops on fiction and poetry at a number of academic institutions, including: New York University (NYU), Penn State, Sarah Lawrence College, Bard College, Brooklyn College, Brooklyn Tech and the New School.

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