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Painting, sculpture, music, dance: how do they inspire and get translated into our writing? Can we cross cultures the same way we cross media? A group of well-established international writers visiting Hugo House from the International Writing Program at the University of Iowa will team-teach this unique session, a three-hour exploration of how we can meet a world of art on the page. You’ll leave having written new material and virtually visited new places.
Teresa PRÄAUER (fiction writer, poet, visual artist; Austria) is the author of the novels Johnny und Jean (2014) and Für den Herrscher aus Übersee [For the Emperor from Overseas], which received the Aspekte prize for best German-language prose debut of 2012, as well as of a book of poetry postcards entitled [Pigeons’ Letters] (2009). In 2015 she received a Droste and a Hölderlin promotion award, and was shortlisted for the Leipzig Book Fair Prize. She regularly publishes on the subjects of poetry, theatre, pop culture and fine arts. Her participation is made possible by the Max Kade Foundation.
Antônio XERXENESKY (fiction writer, translator; Brazil), currently completing a PhD in literary theory at Universidade de São Paulo, is the author of two novels, most recently F (2014), two short story collections, including A Página assombrada por fantasmas (2011) and several books of translation; his own work has been translated into English, French, German and Spanish. He participates courtesy of the Bureau of Educational and Cultural Affairs at the U.S. Department of State.
Due to COVID-19, all classes will take place online-either through Zoom or through Wet Ink, our asynchronous learning platform-through the end of 2020.
All times are listed in Pacific Time.
Class Type: 1 Session
Start Date: 09/30/2015
Days of the Week: Wednesday
Time: 1:00 PM – 4:00 PM
Minimum Class Size: 5
Maximum Class Size: 15
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$75.00 General Price:
Class has begun, registration is closed.
The INTERNATIONAL WRITING PROGRAM (IWP) is the oldest and largest multinational writing residency in the world. With a tradition of excellence that has continued for nearly five decades, the IWP annually brings outstanding authors from every continent to the University of Iowa, a major American research institution internationally renowned for its writing programs. Since 1967, over 1,400 writers from more than 190 nations have taken part in the Fall Residency. The goal of the IWP is to provide authors a one-of- a-kind inter-cultural opportunity and the time and space to write, read, translate, study, conduct research, travel, give readings, stage work, and become part of the vibrant literary and academic community at the university and in Iowa City, the only American city designated as a UNESCO City of Literature, in part because of the IWP’s presence.
For 2017, the IWP will bring together 35 of the world’s emerging and established writers to participate in the Fall Residency’s unique inter-cultural experience. Over the course of 11 weeks, aside from working on their own projects, writers will give readings and lectures that share their work and cultures, collaborate with artists from other genres and art forms, and travel and interact with American audiences and literary communities across the United States.
Esther DISCHEREIT (poet, novelist, essayist, stage and radio dramatist; Germany) has given lectures and readings around the world. Most recently she published Blumen für Otello. Über die Verbrechen von Jena [Flowers for Othello. On the Crimes of Jena] and edited Havel, Hunde, Katzen, Tulpen, Garz erzählt [Havel, Dogs, Cats, Tulips – Garz Talking]. Her work spans multiple genres and often reflects the post-Holocaust landscape in Germany, e.g. Joëmis Tisch [Joëmis Table] and Übungen jüdisch zu sein [Exercises in Being Jewish]. In 2009 Dischereit received the Erich Fried Prize. In 2017 she was a visiting professor at the University of Virginia; she teaches at the University for Applied Arts in Vienna. Her participation is made possible by the Max Kade Foundation.
Julienne VAN LOON (novelist, essayist; Australia) is a research fellow at non/fictionLab of RMIT University in Melbourne. She won the Australian/Vogel’s Award and in 2005 was shortlisted for the Commonwealth Prize First Book Award for Road Story. Her work, including the recent novel Harmless, has strong creative and cultural connection to Asia, particularly China. Her forthcoming collection The Thinking Woman includes interviews with leading women from across the globe. Her participation is made possible by the Paul and Hualing Engle Fund.