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Intermediate. Do you have a draft of ten-fifteen poems you’d like to submit for publication? Are you unsure if they are all ready for submission? Have you decided if you are submitting them as a suite, collection, series, or individual pieces? Do you wonder what publications your work might be better suited for? We’ll edit, give, and receive feedback and choose poems, then research publications best suited for your poems, and finally collectively submit to publications and contests. Each class will begin with a writing prompt.
Save $35 with Early Bird Coupon 2016fall35 | Expires August 29
Due to COVID-19, all classes will take place online-either through Zoom or through Wet Ink, our asynchronous learning platform-through the end of 2020.
All times are listed in Pacific Time.
Class Type: 10 SessionsPoetry, Publishing, The Writing Life
Start Date: 09/29/2016
No Class On: 11/24/2016
End Date: 12/08/2016
Days of the Week: Thursday
Time: 7:10 pm – 9:10 pm
Minimum Class Size: 5
Maximum Class Size: 15
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$460.00 General Price:
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Anastacia-Renee is a multi-genre writer, educator, and interdisciplinary artist. She is the recipient of the 2018 James W. Ray Distinguished Artist Award for Washington artists (Artist Trust), and has served as the 2017-2019 Seattle Civic Poet and the 2015-2017 poet-in-residence at Hugo House. Anastacia-Renee is a two-time Pushcart nominee and 2017 Artist of Year (Seattle). She is the author of five books: Forget It (Black Radish Books), (v.) (Black Ocean) 26 (Dancing Girl Press), Kiss Me Doll Face (Gramma Press), and Answer(Me) (Winged City Chapbooks, Argus Press) and has received writing fellowships and residencies from Cave Canem, Hedgebrook, VONA, Artist Trust, Jack Straw, Ragdale, Whiteley, Mineral School, and Hypatia in the Woods. Her cross-genre writing has appeared in a TEDx talk; the anthologies Women of Resistance: Poems for a New Feminism, Sinister Wisdom: Black Lesbians—We Are the Revolution, and Revise the Psalm: Work Celebrating the Writing of Gwendolyn Brooks; and Ms. Magazine, Split this Rock, Painted Bride Quarterly, Crab Creek Review, Seattle Review, The Fight & the Fiddle, Duende, Poetry Northwest, Synaethesia, Banqueted, Torch, Mom Egg Review, The Magazine of Glamorous Refusal, Pinwheel Journal, and many more. She teaches poetry and multi-genre workshops at Hugo House, libraries, universities, and high schools.