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All Levels | What is it about sad songs that make us listen over and over? What are the words that evoke our own sadness and make us feel seen? In this craft class, we’ll break down the structures, movements, and lyrics of classic sad songs, using music as a door into literary discussions crucial to all genres: pattern and variation, and point of view, and the difference between sentimentality and sentiment. Students should come with a favorite sad song in mind; they’ll leave with a new understanding of some essential literary devices and the inspiration to use them when conveying feeling through language.
Due to COVID-19, all classes will take place online-either through Zoom or through Wet Ink, our asynchronous learning platform-through Spring quarter 2021.
All times are listed in Pacific Time.
Class Type: 1 SessionFiction, Multigenre, Nonfiction, Online, Poetry
Term: Winter 2021
Start Date: 02/13/2021
Days of the Week: Saturday
Time: 1:10 pm – 4:10 pm
Minimum Class Size: 5
Maximum Class Size: 20
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$90.00 General Price:
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Gabrielle Bates is a writer and visual artist originally from Birmingham, Alabama.
Her work has appeared in the New Yorker, Poetry Magazine, Virginia Quarterly Review, New England Review, jubilat, Gulf Coast, Mississippi Review, Black Warrior Review, the Best of the Net anthology, and BAX: Best American Experimental Writing, and her poetry comics have been featured internationally in a variety of exhibitions, festivals, and conferences.
Formerly the managing editor of the Seattle Review and a contributing editor for Poetry Northwest, Gabrielle currently serves as the Social Media Manager of Open Books: A Poem Emporium, a contributing editor for Bull City Press, and a University of Washington teaching fellow. She also volunteers as a poetry mentor through the Adroit teen mentorship program and teaches occasionally as a spotlight author through Seattle's Writers in the Schools (WITS). With Luther Hughes and Dujie Tahat, she cohosts the podcast The Poet Salon.
Manuscripts-in-progress include a poetry collection, a novel, and a collection of poetry comics / illustrated collaborations.
For their support of her work, financial and otherwise, she is grateful to the Bread Loaf Writers Conference, Artist Trust, Hugo House, Auburn University, and the University of Washington.
Paulette Perhach’s writing has been published in the New York Times, Elle, Vice, Slate, Inc., McSweeney’s Internet Tendency, Hobart, Vice, Yoga Journal, Cosmopolitan, Marie Claire, Glamour, and The Stranger. She’s worked for Health and Coastal Living magazines, as well as various newspapers. In 2013, Hugo House selected her as a Made at Hugo House Fellow.
She received the 2016 BlogHer Voices of the Year award for her essay, “A Story of a Fuck Off Fund,” which is anthologized in The Future is Feminist from Chronicle Books, along with work by Roxane Gay, Mindy Kaling, Chimamanda Ngozi Adichie, Caitlin Moran, and Audre Lorde.
A returned Peace Corps Volunteer, she’s also won multiple Solas Awards for her travel writing.
In 2015 she created the Writer’s Welcome Kit, the online course sold through Hugo House, which includes a 55,000-word workbook, writer’s templates, and writer interviews. To date, more than 600 students have taken the course.
Her book, Welcome to the Writer's Life, was published by Sasquatch Books, part of the Penguin Random House publishing family, and was selected as one of Poets & Writers' Best Books for Writers.
She blogs about everything a writer needs to thrive – craft, personal finance, business skills, and joy – at WelcomeToTheWritersLife.com. The site also offers a newsletter with a year of daily writing prompts.
She keeps a casual podcast about creativity and money called Can We Talk About Money?
Learn more and read her work at PaulettePerhach.com.