MenuSkip to content
- Events & Programs
Introductory | For centuries the poetic line was defined by meter, but early in the 20th century poets began to look for rhythms that would better convey American speech. Free verse is any poem not written in meter. If you’re writing in free verse, how do you create rhythm? We’ll begin by looking at metrical lines; students will try those before turning to free verse. Write new poems or bring poems to revise. Required text: The Art of the Poetic Line by James Longenbach.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 8 SessionsPoetry
Start Date: 10/03/2019
End Date: 11/21/2019
Days of the Week: Thursday
Time: 7:10 pm – 9:10 pm PDT
Minimum Class Size: 5
Maximum Class Size: 15
Become a member >
$380.00 General Price:
Class has begun, registration is closed.
Sharon Bryan received her BA in Philosophy and an MA in Anthropology before she began to write poetry, and then received her MFA from the University of Iowa.
She has published four books of poems: Sharp Stars, Flying Blind, Objects of Affection, and Salt Air, which won The Governor’s Award from the State of Washington. She received the Isabella Gardner Award for Sharp Stars. Her other awards include two NEA Fellowships in Poetry, an Academy of American Poet’s Prize, the Discovery Award from The Nation, an Artist Trust Grant from the Washington State Arts Council, a Senior Fellowship to the Provincetown Fine Arts Work Center, a grant from the Utah Arts Council for the film collaboration Eureka, and a Fellowship in Poetry from the Tennessee Arts Commission, among others. She was Poet-in-Residence at The Frost Place in Franconia, New Hampshire.
She is also the editor of two collections: Where We Stand: Women Poets on Literary Tradition, and, with William Olsen, Planet on the Table: Poets on the Reading Life.
She taught at the University of Washington for seven years and at Memphis State University for six. Since then she has taught as a visiting poet in almost twenty writing programs around the country, including Dartmouth, the University of Houston, Western Michigan, Kalamazoo College, Ohio University, Wichita State, the University of Missouri at St. Louis, the University of North Carolina at Wilmington, San Diego State, and Fresno State. She has also been on the faculty of low-residency MFA Programs at Pacific Lutheran Universitiy, Warren Wilson, Pacific University, and Fairfield University.
She is currently on the faculty of the low-residency MFA in Creative Writing at Lesley University in Cambridge, Massachusetts. She lives in Seattle, Washington.