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Course Catalog

The Main Course: Poets Writing about Food

All Levels | Examine your cultural, familial, spiritual, and communal connections to food. We will read and discuss food poetry written by Li-Young Lee, Jane Wong, francine j. harris, Kevin Young, Eileen Myles, Toi Derricotte, Joy Harjo, and Richard Blanco. In addition to crafting poems using aspects of other poets writing about food, we will “cook” together by writing responses to recipes, historical facts about spices, and sharing stories about food. Workshop participants will write, draft, and edit four pieces of food poetry by the end of the class.

Due to COVID-19, all classes will take place online-either through Zoom or through Wet Ink, our asynchronous learning platform-through Winter quarter 2021.

All times are listed in Pacific Time.

Instructor: Anastacia-Renee

Class Type: 6 Sessions

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Term: Winter 2021

Start Date: 02/24/2021

End Date: 03/31/2021

Days of the Week: Wednesday

Time: 7:10 pm – 9:10 pm

Minimum Class Size: 5

Maximum Class Size: 15

$274.50 Member Price:
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$305.00 General Price:

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Anastacia-Renee

Anastacia-Renee is a multi-genre writer, educator, and interdisciplinary artist. She is the recipient of the 2018 James W. Ray Distinguished Artist Award for Washington artists (Artist Trust), and has served as the 2017-2019 Seattle Civic Poet and the 2015-2017 poet-in-residence at Hugo House. Anastacia-Renee is a two-time Pushcart nominee and 2017 Artist of Year (Seattle). She is the author of five books: Forget It (Black Radish Books), (v.) (Black Ocean) 26 (Dancing Girl Press), Kiss Me Doll Face (Gramma Press), and Answer(Me) (Winged City Chapbooks, Argus Press) and has received writing fellowships and residencies from Cave Canem, Hedgebrook, VONA, Artist Trust, Jack Straw, Ragdale, Whiteley, Mineral School, and Hypatia in the Woods. Her cross-genre writing has appeared in a TEDx talk; the anthologies Women of Resistance: Poems for a New Feminism, Sinister Wisdom: Black Lesbians—We Are the Revolution, and Revise the Psalm: Work Celebrating the Writing of Gwendolyn Brooks; and Ms. Magazine, Split this Rock, Painted Bride Quarterly, Crab Creek Review, Seattle Review, The Fight & the Fiddle, Duende, Poetry Northwest, Synaethesia, Banqueted, Torch, Mom Egg Review, The Magazine of Glamorous Refusal, Pinwheel Journal, and many more. She teaches poetry and multi-genre workshops at Hugo House, libraries, universities, and high schools.

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