MenuSkip to content
- Events & Programs
Intermediate | We’re living in politically tumultuous, grief-struck times, and poetry’s role as a catalyst for redress has never been more necessary. In this two-session class, we’ll spend one session looking at poets whose works illustrate the ways we might pivot — whether messily or fluidly — between the personal and the political, the private and the historical. The poets we look at will include Ross Gay, Victoria Chang, Layli Long Soldier, and others. An assignment will be provided at the end of the first session. At the second session, we’ll share and discuss the assignment poems produced by the poets in the class.
Due to COVID-19, all classes will take place online until further notice. If there's a possibility that your class might take place in person, you will be notified in advance. Even if classes can be held in person, there will always be a hybrid option to participate via Zoom.
Classes with "Zoom" in the title will be held via Zoom even after our doors open. Classes listed as "Online" will be held on Wet Ink, our platform for asynchronous learning.
All times are listed in Pacific Time.
Class Type: 2 SessionsOnline, Poetry
Term: Fall 2020
Start Date: 10/10/2020
End Date: 10/17/2020
Days of the Week: Saturday
Time: 1:10 pm – 4:10 pm
Minimum Class Size: 5
Maximum Class Size: 15
Become a member >
$240.00 General Price:
Registration for this class has not started.
Rick Barot was born in the Philippines, grew up in the San Francisco Bay Area, and attended Wesleyan University and The Writers’ Workshop at the University of Iowa.
He has published three books of poetry with Sarabande Books: The Darker Fall (2002), which received the Kathryn A. Morton Prize; Want (2008), which was a finalist for the Lambda Literary Award and won the 2009 Grub Street Book Prize; and Chord (2015), which was a finalist for the LA Times Book Prize and received the 2016 UNT Rilke Prize, the PEN Open Book Award, and the Publishing Triangle’s Thom Gunn Award. He has received fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Artist Trust of Washington, the Civitella Ranieri Foundation, and Stanford University, where he was a Wallace E. Stegner Fellow and a Jones Lecturer in Poetry.
His poems and essays have appeared in numerous publications, including Poetry, The Paris Review, The New Republic, Ploughshares, Tin House, The Kenyon Review, Virginia Quarterly Review, The New Yorker, and The Threepenny Review. His work has been included in many anthologies, including Legitimate Dangers: American Poets of the New Century, Asian-American Poetry: The Next Generation, Language for a New Century, and The Best American Poetry 2012 and 2016.
Barot is the poetry editor of New England Review. He lives in Tacoma, Washington and teaches at Pacific Lutheran University. He is also the director of The Rainier Writing Workshop, the low-residency MFA in Creative Writing at PLU. His fourth book of poems, The Galleons, will be published by Milkweed Editions in Spring 2020.