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All Levels | Life is truly bizarre, and the more familiar we are with this bizarreness, the richer our writing will be. This class will look at the ways scientists have written about the origin and characteristics of life itself. We will access and produce short works based on some of the deepest and most fascinating thoughts about the interconnected system of things that move, dream, make decisions, and reproduce on a thin layer of this rocky planet.
Due to COVID-19, all classes will take place online until further notice. If there's a possibility that your class might take place in person, you will be notified in advance. Even if classes can be held in person, there will always be a hybrid option to participate via Zoom.
Classes with "Zoom" in the title will be held via Zoom even after our doors open. Classes listed as "Online" will be held on Wet Ink, our platform for asynchronous learning.
All times are listed in Pacific Time.
Class Type: 6 SessionsFiction, Multigenre, Nonfiction
Start Date: 05/07/2018
No Class On: 5/28/2018
End Date: 06/18/2018
Days of the Week: Monday
Time: 7:10 pm – 9:10 pm
Minimum Class Size: 5
Maximum Class Size: 15
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$295.00 General Price:
Class has begun, registration is closed.
Charles Tonderai Mudede is a Zimbabwean-born writer, filmmaker, and cultural critic. He writes about film, books, music, crime, art, economics, and urban theory for The Stranger. Mudede has made three films, two of which, Police Beat and Zoo, premiered at Sundance, and one, Zoo, was screened at Cannes. Mudede has written for the New York Times, Arcade Journal, Cinema Scope, Ars Electronica, The Village Voice, Radical Urban Theory, and C Theory. Mudede is also on the editorial board for the Black Scholar, which is based at the University of Washington, and between 1999 and 2005, lectured on post-colonial theory at Pacific Lutheran University, and in 2003 published a short book, Last Seen, with Diana George. Mudede has lived in Seattle since 1989.