Classes

Fiction, Nonfiction

  • Term: Fall 2022
  • Start Date: September 28, 2022
  • End Date: June 7, 2023
  • Day of Week: Wednesday
  • Time: 5:00pm - 7:00pm
  • Level: Open to all levels
  • Audience: Adult
  • Location: Online
  • Availability: Yes
  • Public Price: $1430.00
  • Member Price: $1287.00

Learn About Scholarships

Yearlong in Fiction & Creative Nonfiction

This yearlong class is open to fiction and creative nonfiction writers of all stripes—working on novels, memoir, essay, short stories, and everything in between—and is designed to help writers meet creative goals/deadlines, and provide concrete and clear feedback on their work. The aim is for students to be producing work that is ready for publication. The class uses an array of workshop and peer-review techniques to build fluency with craft—controlling narrative time, narrative structure, tone, and voice—which empowers writers to make intentional creative decisions (instead of feeling like you’re being held hostage by the whims of inspiration). Ultimately, students will gain control over the craft elements in their work, so that they can more easily write and revise with intention.

 

No class on 11/16, 11/23, 11/30, 12/21, 12/28, 1/4, & 4/12.

 

Payment plans available. Contact registrar@hugohouse.org for more information.

 

Registration dates:

August 22: Scholarship Donation Day (Learn more.)

August 23: Member registration opens

August 30: General registration opens

Peter Mountford

Peter Mountford

Peter Mountford is the author of the novels A Young Man's Guide to Late Capitalism (2012 Washington State Book Award in fiction), and The Dismal Science (a NYT editor's choice). His work has appeared in The Paris Review, Southern Review, The Atlantic, The Sun, Granta, and The Missouri Review. He is currently on faculty at Sierra Nevada University's MFA program, teaches at Creative Nonfiction, Hugo House, and is a writing coach and developmental editor.
Peter's former students and clients have gone on to publish numerous books and stories and articles, and include two NYT best-selling novelists (Tara Conklin and Rachel Griffin).

Teaching Style and Philosophy:
I believe the best I can do for students is help free them from the tyranny of talent and the whims of inspiration, which are fair-weather friends. Instead, I want you to hone your personal aesthetic, and to develop an authorial voice, and most importantly develop fluency with the elements of craft. One you can control what's happening on the page with ease, producing publishable work is no longer a mysterious fluke, but a familiar and non-scary process.

Feedback from students:
I took Peter’s yearlong course at Hugo House in 2019-2020, and I found him to be an invaluable instructor. His instincts for how good prose works, from craft elements to the realm of publishing, were instrumental in my writing career. He is an honest critic but an encouraging mentor, and I saw him provide acute feedback to short fiction, novels, essays, and memoirs alike. He helped me figure out how to risk sentimentality in my work, to push toward intensity when possible, and how to think about readership when it comes to where I want to publish. I cannot recommend him enough to anyone looking to get more serious about their writing.”
-Chat Petrie

“Peter has helped me elevate the quality and power of my work through his exceptional craft courses as well as one-on-one coaching. He has an unerring sense of a story’s center of gravity and the structure that best suits the material. He’s the kind of merciless editor that any serious writer would value. Since working with him, I’ve had a story and two essays accepted by prestigious literary magazines and highly regarded essay columns. In a star rating, he’d get a full 5 from me.”
-Robin Reif