Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
Teachers
Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
Beverly Aarons is a writer and game developer. She works across disciplines as a copywriter, journalist, novelist, playwright, screenwriter, and short-story writer. She explores futuristic worlds in fiction but also enjoys discovering the stories of modern-day unsung heroes. She’s currently working on a series of nonfiction stories about ordinary people doing extraordinary things in their local communities and the world. In August 2018 she produced a live-action game and event where community members worked together to envision an economic future they truly desired to leave future generations. She’s currently writing an immersive play about the themes of migration.
Darcie Abbene is the managing and nonfiction editor at the Green Mountains Review, part time faculty at Northern Vermont University, an editorial project manager for School Library Journal, and a writing coach and manuscript editor for WriteByNight. She has published nonfiction essays in Tupelo Quarterly, Whitefish Review, and forthcoming in Teachers and Writers Magazine. She writes book reviews for Necessary Fiction, Split Rock Review, and Kirkus Reviews. Darcie is working on a novel and a collection of essays on teaching and recently graduated from the Stonecoast MFA program and holds a master’s degree in education from the University of Vermont. Visit https://www.darcieabbene.com/ for more information or follow @DarcieAbbene on social media.
Carolyn Abram is a Seattle-based writer. Her work tends to focus on the intersection of technology and everyday life. Her short fiction has appeared in various publications, including the New California Writing Anthology and The Offbeat. Her work has also appeared in McSweeney’s Internet Tendency, and Lilith. She is the author of eight editions of Facebook for Dummies. She holds degrees from Stanford and California College of the Arts. Go to www.carolynabram.com for more information.
Samar Abulhassan holds an MFA. from Colorado State University and has worked as a teaching artist for a decade, for Seattle Arts and Lectures' WITS Program, Hugo House, Jack Straw, and the Skagit River Poetry Foundation. Born to Lebanese immigrants and raised with multiple languages, she is a 2006 Hedgebrook alum and the author of multiple chapbooks, including Farah and Nocturnal Temple. She received a 2016 CityArtist grant to complete a novel-in-poems, reflecting on memory, longing and the Arabic alphabet ignited while exploring Pike Place Market and Seattle’s waterfront.
Dilruba Ahmed is the author of Bring Now the Angels (Pitt Poetry Series, University of Pittsburgh Press, 2020). Her debut book of poetry, Dhaka Dust (Graywolf Press), won the Bakeless Prize. Her poems have appeared in American Poetry Review, Kenyon Review, New England Review, Ploughshares, and Poetry. Her poems have also been anthologized in The Best American Poetry 2019 (Scribner), Halal If You Hear Me (Haymarket Books), Literature: The Human Experience (Bedford/St. Martin’s), Indivisible: An Anthology of Contemporary South Asian American Poetry (University of Arkansas), and elsewhere. Ahmed is the recipient of The Florida Review’s Editors’ Award, a Dorothy Sargent Rosenberg Memorial Prize, and the Katharine Bakeless Nason Fellowship in Poetry awarded by the Bread Loaf Writers Conference. She holds degrees from the University of Pittsburgh and Warren Wilson College’s MFA Program for Writers.
Website: www.dilrubaahmed.com
Instagram: dilruba_ahmed20, https://www.instagram.com/dilruba_ahmed20/
Facebook: https://www.facebook.com/dilruba.ahmed Web: https://www.dilrubaahmed.com/writing-lab
Naa Akua, is a New York born poet, actor, educator, and sound-word practitioner who is Ghanaian/Bajan and queer. Akua uses the vibratory energy of sound and the intent of words as a vehicle towards healing. Akua, former 2019 Citizen University Poet-in-Residence is a Writers in the Schools (Seattle Arts & Lectures) Writer-in-Residence at Franklin High School, Hugo House teacher, and Young Women Empowered (Y-WE) youth facilitator. www.naaakua.com
Naa Akua, is a New York-born poet, actor, educator, and sound-word practitioner who is Ghanaian/Bajan and queer. Akua uses the vibratory energy of sound and the intent of words as a vehicle towards healing. Akua, former 2019 Citizen University Poet-in-Residence is a Writers in the Schools (Seattle Arts & Lectures) Writer-in-Residence at Franklin High School, Hugo House teacher, and Young Women Empowered (Y-WE) youth facilitator. www.naaakua.com
Kathleen Alcalá is the author of six books of fiction and nonfiction. Her work has received the Western States Book Award, the Governor’s Writers Award, and a Pacific Northwest Booksellers Association Book Award. She received her second Artist Trust Fellowship in 2008, and in 2014 was honored by the national Latino writers group, Con Tinta. She has been designated an Island Treasure in the Arts on Bainbridge Island. Her work will be included with other Latinx writers in an audio archive at the Library of Congress called PAlABRA.
Steve Almond is the author of twelve books of fiction and non-fiction including The New York Times bestsellers Candyfreak and Against Football. His novel All the Secrets of the World, will be published in 2022. His short fiction has appeared in the Best American Short Stories, the Pushcart Prize, and Best American Mysteries. His essays have appeared in The New York Times Magazine and elsewhere. Almond teaches at the Nieman Foundation for Journalism and Wesleyan University, and lives outside Boston with his wife, three children, and considerable anxiety.
Anastacia-Renee (She/They) is a queer writer, educator, interdisciplinary artist, speaker and podcaster. She is the author of (v.) (Black Ocean) and Forget It (Black Radish) and, Here in the (Middle) of Nowhere and Sidenotes from the Archivist forthcoming from Amistad (an imprint of HarperCollins). They were selected by NBC News as part of the list of “Queer Artist of Color Dominate 2021’s Must See LGBTQ Art Shows.” Anastacia-Renee was former Seattle Civic Poet (2017-2019), Hugo House Poet-in-Residence (2015-2017), Arc Artist Fellow (2020) and Jack Straw Curator (2020). Her work has been anthologized in: Teaching Black: The Craft of Teaching on Black Life and Literature, Home is Where You Queer Your Heart, Furious Flower Seeding the Future of African American Poetry, Afrofuturism, Black Comics, And Superhero Poetry, Joy Has a Sound, Spirited Stone: Lessons from Kubota’s Garden, and Seismic: Seattle City of Literature. Her work has appeared in, Hobart, Foglifter, Auburn Avenue, Catapult, Alta, Torch, Poetry Northwest, A-Line, Cascadia Magazine, Hennepin Review, Ms. Magazine and others. Renee has received fellowships and residencies from Cave Canem, Hedgebrook, VONA, Ragdale, Mineral School, and The New Orleans Writers Residency.
Anastacia-Renee (She/They) is a queer writer, educator, interdisciplinary artist, speaker and podcaster. She is the author of (v.) (Black Ocean) and Forget It (Black Radish) and, Here in the (Middle) of Nowhere and Sidenotes from the Archivist forthcoming from Amistad (an imprint of HarperCollins). They were selected by NBC News as part of the list of “Queer Artist of Color Dominate 2021’s Must See LGBTQ Art Shows.” Anastacia-Renee was former Seattle Civic Poet (2017-2019), Hugo House Poet-in-Residence (2015-2017), Arc Artist Fellow (2020) and Jack Straw Curator (2020). Her work has been anthologized in: Teaching Black: The Craft of Teaching on Black Life and Literature, Home is Where You Queer Your Heart, Furious Flower Seeding the Future of African American Poetry, Afrofuturism, Black Comics, And Superhero Poetry, Joy Has a Sound, Spirited Stone: Lessons from Kubota’s Garden, and Seismic: Seattle City of Literature. Her work has appeared in, Hobart, Foglifter, Auburn Avenue, Catapult, Alta, Torch, Poetry Northwest, A-Line, Cascadia Magazine, Hennepin Review, Ms. Magazine and others. Renee has received fellowships and residencies from Cave Canem, Hedgebrook, VONA, Ragdale, Mineral School, and The New Orleans Writers Residency.
Meredith Arena is a queer writer and interdisciplinary teaching artist from New York City with 18 years of teaching experience with youth ages 5-15, both in afterschool and school-day arts integration. She likes to challenge authority, play theater games, garden, draw and wander. Her work can be found in various journals including Longleaf Review, Entropy, Lunch Ticket, and Peatsmoke. She holds an MFA in creative writing and a Certificate in the Teaching of Creative Writing from Antioch University Los Angeles. She hopes her students tune into their inherent creativity so they can access it when they most need it.
Daemond Arrindell is a writer and teaching artist. Adjunct Faculty at Seattle University and Cornish College for the Arts; a 2013 Jack Straw Writer; and a 2014 VONA/Voices Writer’s Workshop fellow.
He has performed across the country and has been repeatedly commissioned by Seattle and Bellevue Arts Museums.
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