Teachers

Kaveh Bassiri is a writer and translator. He is the author of 99 Names of Exile, winner of the Anzaldúa Poetry Prize, and Elementary English, winner of the Rick Campbell Chapbook Prize. His poems have been published in a number of journals and anthologies, including Best American Poetry 2020, Best New Poets 2020, The Heart of a Stranger, and Somewhere We Are Human. Bassiri is the recipient of the 2022 & 2023 Tulsa Artist Fellowship and a 2019 translation fellowship from the National Endowment for the Arts. He has a PhD in Comparative Literature from the University of Arkansas and an MFA in Creative Writing from Sarah Lawrence College. He teaches creative writing at the University of Tulsa.

Website: kavehbassiri.com

Janée J. Baugher is the author of the groundbreaking guidebook, The Ekphrastic Writer: Creating Art-Influenced Poetry, Fiction and Nonfiction (McFarland, 2020), as well as two poetry collections, Coördinates of Yes (Ahadada, 2010) and The Body’s Physics (Tebot Bach, 2013). Baugher holds degrees from Boston University and Eastern Washington University, and her fiction, nonfiction, and poetry have been published in over 125 journals, including Saturday Evening Post, Tin House, The Southern Review, Nano Fiction, Boulevard, Rattle, Verse Daily!, The American Journal of Poetry, Nimrod International Journal, and The Writer’s Chronicle.  A two-time Pushcart Prize and Best of the Net nominee and Bread Loaf Conference participant, Baugher held a two-year post as a Humanities Washington Inquiring Minds Speaker in which she lectured across Washington State on writers and visual artists of the Lost Generation. Her performance-art projects include collaborations with choreographers, dancers, and composers. Baugher’s writing has been adapted for the stage and set to music at University of Cincinnati–Conservatory of Music, Contemporary Dance Theatre in Ohio, Interlochen Center for the Arts in Michigan, Dance Now! Ensemble in Florida, The Salon at Justice Snow’s in Colorado, Otterbein University, and University of North Carolina-Pembroke. As a spoken-word artist, Baugher has performed in Seattle at Arts Edge Arts Festival, Bumbershoot Arts Festival, the Moore Theatre, and Folklife Arts Festival. She’s also been featured on Seattle Channel TV and at the Library of Congress.

 Baugher has taught creative writing for 20 years and is currently an assistant editor at Boulevard literary journal. www.JaneeBaugher.com, (Instagram) @ekphrastic_writer.

Elizabeth Beechwood is your typical scarf-knitting, bird-feeding tree hugger who lives on the western fringes of Portland, Oregon. When she writes, she starts with regular people with regular lives…but then something strange happens. Whether it’s fiction, fantasy, magical realism, or genre-bending, you can count on something just a little peculiar from her stories. Her Pushcart-nominated fiction has been published in Nightscape Press’s award-winning anthology Nox Pareidolia, Third Flatiron’s Hidden Histories, Not a Pipe Publishing’s The Year of Publishing Women’s Short Stories series, Crossed Genres, and Every Day Fiction. Elizabeth earned an MFA in Popular Fiction at the University of Southern Maine’s Stonecoast program and a Copyediting Certificate from UC San Diego Extension’s Copyediting Certificate Program. She’s a member of SWFA and ACES. You can keep up with her shenanigans at www.elizabethbeechwood.com

Andrew Bell is an award-winning filmmaker, writer, and educator from the Pacific Northwest. His short film work has played at festivals worldwide and is broadcast internationally on ShortsTV, BloodydisgustingTV, and streaming on CryptTV. He is currently working on his first feature film and doing what he loves most—mentoring young writers, actors, and filmmakers. He holds an MFA from Columbia University.

Jeff Bender is a fiction and comedy writer whose work has appeared in McSweeney's, The Hard Times, Electric Literature, Sports Riot, Fence, The Iowa Review, and a lot of places. In 2023 he co-wrote McSweeney's 8th most-read article.

Describe your teaching style.

I have a plan but try to listen to the group as much as possible and let the personality of the class influence what we do.

Soumeya Bendimerad Roberts is a literary agent and VP, Foreign Rights, at HG Literary. 

In fiction, Soumeya is seeking literary and upmarket novels and collections, and also represents realistic young-adult and middle-grade. She likes books with vivid voices and compelling, well-developed story-telling, and is particularly interested in narratives by people of color and fiction that reflects on the post-colonial world. She's currently on the hunt for narratives set in enclosed settings, stylized literary takes on genre (especially literary thriller and suspense), novels set in other countries or shot through with elements of travel, family sagas, historical narratives (especially those that intertwine with the present), honest, updated, politically charged takes on the domestic family novel, and unconventional love stories. A lover of craft, she is drawn to observant writing that illuminates dynamic relationships between complex but sympathetic characters, intelligent experiments with form, and stories that enchant and transport the reader in authentic and inventive ways. In non-fiction, she is primarily looking for idea-driven or voice-forward memoirs, personal essay collections, and approachable narrative non-fiction of all stripes: politics, current events; popular culture, (especially anything that deals with subcultures – the more minute the better), unconventional business, popular science, adventure, psychology, and more. She also represents practical nonfiction in the areas of cooking, design, craft, gardening, travel and the outdoors, humor, health, and parenting.

Christina Berke is a Chilean-American writer and educator with a Master of Fine Arts in Creative Writing. She’s been supported by Bread Loaf Writers Conference, Hedgebrook, and Storyknife. Her work is in Edible, Pithead Chapel, Teen Vogue and elsewhere.

Misha Berson is a freelance writer and teacher. From 1991-2016 she was the drama critic for the Seattle Times, after 10 years writing for the SF Bay Guardian. She has written four books on theater, including "Between Worlds: Asian American Playwrights" and "Something's Coming, Something Good: West Side Story and the American Imagination." Her work has also appeared in American Theatre, crosscut.com, oregonartswatch.com, Variety, the SF Chronicle and many other publications. She has been a Pulitzer Prize juror several times, most recently in 2019 when she was chair of the drama committee, and she is a juror for the annual Steinberg/ATCA playwriting award. She has taught arts and journalism courses at UW, Seattle University, SF State University, UC Davis, Richard Hugo House and The Eugene O'Neill Center Theatre Critics Conference.

Grace Bialecki is a writer, spoken word poet, and workshop facilitator. She has performed at KGB Bar and as the featured poet at Paris Lit Up, and her work has appeared in various publications including Catapult and Epiphany Magazine. Bialecki is the co-founder of the storytelling series Thirst, and the author of the novel Purple Gold (ANTIBOOKCLUB). 

For more information check out Grace's website (www.graciebialecki.com) or Twitter (www.twitter.com/graciebialecki).

Describe your teaching style.

I feel myself as a facilitator more than a teacher. Although I'll be discussing my practice, I'll also be engaging with the students and asking about their process. My goal is to empower attendees to try new techniques they can then adapt to their own needs.

Born in New Jersey, Courtney holds an MFA in Fiction from the University of Montana and a BA in Art History from Princeton. Her work has appeared in The Fairy Tale Review, The Masters Review, The Indiana Review, Barrelhouse, and The Los Angeles Review, among others. When Courtney's not writing, she can be found coaching lacrosse, hiking with her baby on her back, or looking for weird little pockets of wonder in the world. Courtney lives in Seattle, where she was a Hugo House Fellow in 2018-2019.

Liza Birnbaum's writing has appeared in Web Conjunctions, jubilat, Tammy, Open Letters Monthly, and other publications. She holds an MFA in fiction from the University of Massachusetts Amherst and teaches at Hugo House, Cornish College of the Arts, and the University of Washington's Robinson Center. She's been awarded residencies from Pine Meadow Ranch Center for Arts and Agriculture and Fishtrap. For more of Liza go to lizabirnbaum.com

Megan Boatright is a writer and editor from rural Florida, now living in Seattle, WA. She has an MA in Comparative Literature from the University of Chicago, where she was a writing instructor before transitioning into TTRPG development and editing.

Amy Bowers is a Florida native currently living in Connecticut with her family. Her writing explores art, domestic culture, the insect and natural worlds, and manufactured places and spaces. She is currently working on an essay collection about growing up in central Florida among amusement parks, alligators, and hurricanes. She holds an MFA in CNF from Bennington and has work published or forthcoming in [PANK], Washington Square Review, West Trade Review, OxMag, Farm-ish, Assay, and LA Review of Books. Her essay Manual is published (fall 2021) in A Harp in the Stars: An Anthology of Lyric Essays, edited by Randon Billings Noble and published by the University of Nebraska Press.

Sabra Boyd is a writer, editor, journalist, and public speaker whose work has been featured in The New York Times, The Washington Post, Eater, Vice, IndieWire, Psychology Today, HuffPost, The Seattle Times, and more. From personal essays to investigative journalism, Sabra enjoys helping others build their own successful writing careers.

Bella Bravo is a writer new to Seattle. They earned an MFA in fiction from the University of Wisconsin, Madison in 2022. Their stories and essays have appeared in NY Tyrant, Spoil, and Commune. For more information go to bellabravo.com and follow on Instagram @bellabravo.

Bella Bravo is a writer new to Seattle. They earned an MFA in fiction from the University of Wisconsin, Madison in 2022. Their stories and essays have appeared in NY Tyrant, Spoil, and Commune. For more information go to bellabravo.com and follow on Instagram @bellabravo.

Susan Briante is the author most recently of Defacing the Monument (Noemi Press 2020), a series of essays on immigration, archives, aesthetics and the state, winner of the Poetry Foundation’s Pegasus Award for Poetry Criticism in 2021. In a starred review, Publisher’s Weekly calls the collection “a superb examination of the ethical issues facing artists who tell others’ stories” and a “dazzlingly inventive and searching text.” 

Briante’s collection of poetry The Market Wonders (Ahsahta Press) was a finalist for the National Poetry Series. The Kenyon Review calls it “masterful at every turn.” The collection was recently translated into Spanish by the poet Giancarlo Huapaya and published under the title El Mercado se pregunta by Kriller71 (Madrid). Briante is also the author of the poetry collections Pioneers in the Study of Motion and Utopia Minus (an Academy of American Poets Notable Book of 2011. Of Utopia Minus, Publisher’s Weekly declared: “this book finds an urgent language for the world in which we live.”

She has received grants and awards from the Atlantic Monthly, the MacDowell Colony, the Academy of American Poets, the US-Mexico Fund for Culture, and (most recently) the Ucross Foundation. Recent work has appeared in the Virginia Quarterly Review, The Best American Poetry (2021) and The Brooklyn Rail. She is a professor of English in the creative writing program at the University of Arizona. There she serves as co-coordinator of the Southwest Field Studies in Writing Program, which brings MFA students to the US-Mexico border to engage in reciprocal research projects with community-based environmental and social justice groups. She is also a member of the Detained project, a team of artists, scholars and activists who record and archive the oral histories of formerly detained migrants and asylum seekers.

Sara Brickman is a queer Jewish writer and performer born in Ann Arbor, MI. The winner of the Split This Rock Poetry Prize, Sara has received grants and scholarships from the Lambda Literary Foundation, the Yiddish Book Center, 4Culture, and Artist Trust, and their performance have appeared at On The Boards and theaters and community spaces nationwide. A BOAAT Writers Fellow and Ken Warfel Fellow for Poetry in Community, their writing appears in Narrative, Adroit, The Indiana Review, Muzzle, and the anthologies Ghosts of Seattle Past, The Dead Animal Handbook, and Courage: Daring Poems for Gutsy Girls. They are currently at work on a book of poems and hybrid essay collection and performance about community resilience, trauma, statuary, and collective organizing in Charlottesville, VA during the white-nationalist rallies of 2017. Sara holds an MFA from the University of Virginia and lives in Seattle, where they work in a library, teach writing to youth and adults, and parent a cat named Latke. 

S.K. Brownell is writer, artist, and educator from the American Midwest. Their work has been shortlisted for the inaugural Samuel R Delany Fellowship in Speculative Fiction and has received the National Partners of the American Theatre Playwriting Excellence Award, Solstice Literary Prize in Fiction Editor's Choice, and other honors. They are a Tin House Workshop alumn and a Sewanee Conference Tennessee Williams Scholar. Their fiction, poetry, and drama has appeared in Speculative North, Decoded, Great Lakes Review, Newfound, and elsewhere. Stephanie holds an MFA from Boston University and teaches at Carroll University, GrubStreet, and Pioneer Valley Writers Workshop. They currently live in Boston with a cat called Wander. Find them online at skbrownell.com or @skbrownell.

Twitter: www.twitter.com/skbrownell

Marci Calabretta Cancio-Bello is the author of Hour of the Ox (University of Pittsburgh, 2016), winner of the Donald Hall Prize for Poetry. She and E.J. Koh co-translated Yi Won’s The World’s Lightest Motorcycle (Zephyr Press, 2021). Cancio-Bello has received fellowships from the National Endowment for the Arts, Kundiman, the Knight Foundation, and the American Literary Translators Association, and her work has appeared in Best Small Fictions, Kenyon Review Online, The New York Times, and more. She is co-director for the Adoptee Literary Festival and PEN America Miami/South Florida Chapter, and a program coordinator for Miami Book Fair. www.marcicalabretta.com

Lauren Camp is the author of five books, recently Took House (Tupelo Press). Honors include the Dorset Prize and finalist for the Arab American Book Award. Her poems appear in Poem-a-Day, Witness, Blackbird, Prairie Schooner, and Kenyon Review.

With a BA in English, an MA in German, and an MFA in Creative Writing, Tara Campbell has a demonstrated aversion to money and power. Originally from Anchorage, Alaska, she has also lived in Washington DC, Oregon, Ohio, New York, Germany and Austria. She currently lives in Seattle, WA.

She's proud to be on the current roster for the Humanities Washington Speakers Bureau, and is a mentor the the 19th season of AWP's Writer to Writer Mentorship Program. She's the recipient of the following awards from the DC Commission on the Arts and Humanities: the 2016 Larry Neal Writers' Award in Adult Fiction, the 2016 Mayor's Arts Award for Outstanding New Artist, and Arts and Humanities Fellowships for 2018 – 2022. She is also a 2017 Kimbilio Fellow and winner of the 2018 Robert Gover Story Prize.

Tara earned her MFA from American University in 2019, and is a fiction editor at Barrelhouse. She teaches creative writing with venues such as American University, Johns Hopkins University, Hugo House, Clarion West, the Writer's Center, Politics and Prose, Catapult, and the National Gallery of Art's Virtual Studio.

Follow her on: Twitter: @TaraCampbellCom or Instagram: @thetreevolution or Bluesky: @taracampbell.bsky.social or Mastodon: @TaraCampbell@writing.exchange or Facebook: CampbellTaraP

Sarah Campbell is a content curator who leads exploratory workshops anchored in humanities artifacts. She has worked for PwC, Microsoft, McKinsey, and ?What If!, and taught at the University of Luxembourg and SUNY Buffalo, where she earned her English Ph.D.