Teachers

Gabrielle Bates is the author of Judas Goat (Tin House, 2023). A Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship finalist and recipient of support from Artist Trust, her poems have appeared in the New Yorker, the Academy of American Poets Poem-a-Day, Ploughshares, American Poetry Review, and elsewhere. Originally from Birmingham, Alabama, she currently lives in Seattle, where she helps out at Open Books: A Poem Emporium and—with Luther Hughes and Dujie Tahat—co-hosts the podcast The Poet Salon. On Twitter (@GabrielleBates).

Janée J. Baugher is the author of the groundbreaking guidebook, The Ekphrastic Writer: Creating Art-Influenced Poetry, Fiction and Nonfiction (McFarland, 2020), as well as two poetry collections, Coördinates of Yes (Ahadada, 2010) and The Body’s Physics (Tebot Bach, 2013). Baugher holds degrees from Boston University and Eastern Washington University, and her fiction, nonfiction, and poetry have been published in over 125 journals, including Saturday Evening Post, Tin House, The Southern Review, Nano Fiction, Boulevard, Rattle, Verse Daily!, The American Journal of Poetry, Nimrod International Journal, and The Writer’s Chronicle.  A two-time Pushcart Prize and Best of the Net nominee and Bread Loaf Conference participant, Baugher held a two-year post as a Humanities Washington Inquiring Minds Speaker in which she lectured across Washington State on writers and visual artists of the Lost Generation. Her performance-art projects include collaborations with choreographers, dancers, and composers. Baugher’s writing has been adapted for the stage and set to music at University of Cincinnati–Conservatory of Music, Contemporary Dance Theatre in Ohio, Interlochen Center for the Arts in Michigan, Dance Now! Ensemble in Florida, The Salon at Justice Snow’s in Colorado, Otterbein University, and University of North Carolina-Pembroke. As a spoken-word artist, Baugher has performed in Seattle at Arts Edge Arts Festival, Bumbershoot Arts Festival, the Moore Theatre, and Folklife Arts Festival. She’s also been featured on Seattle Channel TV and at the Library of Congress.

 Baugher has taught creative writing for 20 years and is currently an assistant editor at Boulevard literary journal. www.JaneeBaugher.com, (Instagram) @ekphrastic_writer.

Elizabeth Beechwood is your typical scarf-knitting, bird-feeding tree hugger who lives on the western fringes of Portland, Oregon. When she writes, she starts with regular people with regular lives…but then something strange happens. Whether it’s fiction, fantasy, magical realism, or genre-bending, you can count on something just a little peculiar from her stories. Her Pushcart-nominated fiction has been published in Nightscape Press’s award-winning anthology Nox Pareidolia, Third Flatiron’s Hidden Histories, Not a Pipe Publishing’s The Year of Publishing Women’s Short Stories series, Crossed Genres, and Every Day Fiction. Elizabeth earned an MFA in Popular Fiction at the University of Southern Maine’s Stonecoast program and a Copyediting Certificate from UC San Diego Extension’s Copyediting Certificate Program. She’s a member of SWFA and ACES. You can keep up with her shenanigans at www.elizabethbeechwood.com

Andrew Bell is an award-winning filmmaker, writer, and educator from the Pacific Northwest. His short film work has played at festivals worldwide and is broadcast internationally on ShortsTV, BloodydisgustingTV, and streaming on CryptTV. He is currently working on his first feature film and doing what he loves most—mentoring young writers, actors, and filmmakers. He holds an MFA from Columbia University.

Jeff Bender is a graduate of Columbia's MFA program and winner of Hugo House's New Works Competition. His fiction and humor have appeared in McSweeney's, Electric Literature, The Iowa Review, Guernica, Points in Case, Slackjaw, and Little Old Lady Comedy.

Soumeya Bendimerad Roberts is a literary agent and VP, Foreign Rights, at HG Literary. 

In fiction, Soumeya is seeking literary and upmarket novels and collections, and also represents realistic young-adult and middle-grade. She likes books with vivid voices and compelling, well-developed story-telling, and is particularly interested in narratives by people of color and fiction that reflects on the post-colonial world. She's currently on the hunt for narratives set in enclosed settings, stylized literary takes on genre (especially literary thriller and suspense), novels set in other countries or shot through with elements of travel, family sagas, historical narratives (especially those that intertwine with the present), honest, updated, politically charged takes on the domestic family novel, and unconventional love stories. A lover of craft, she is drawn to observant writing that illuminates dynamic relationships between complex but sympathetic characters, intelligent experiments with form, and stories that enchant and transport the reader in authentic and inventive ways. In non-fiction, she is primarily looking for idea-driven or voice-forward memoirs, personal essay collections, and approachable narrative non-fiction of all stripes: politics, current events; popular culture, (especially anything that deals with subcultures – the more minute the better), unconventional business, popular science, adventure, psychology, and more. She also represents practical nonfiction in the areas of cooking, design, craft, gardening, travel and the outdoors, humor, health, and parenting.

Misha Berson is a freelance writer and teacher. From 1991-2016 she was the drama critic for the Seattle Times, after 10 years writing for the SF Bay Guardian. She has written four books on theater, including "Between Worlds: Asian American Playwrights" and "Something's Coming, Something Good: West Side Story and the American Imagination." Her work has also appeared in American Theatre, crosscut.com, oregonartswatch.com, Variety, the SF Chronicle and many other publications. She has been a Pulitzer Prize juror several times, most recently in 2019 when she was chair of the drama committee, and she is a juror for the annual Steinberg/ATCA playwriting award. She has taught arts and journalism courses at UW, Seattle University, SF State University, UC Davis, Richard Hugo House and The Eugene O'Neill Center Theatre Critics Conference.

Grace Bialecki is a writer, spoken word poet, and workshop facilitator. She has performed at KGB Bar and as the featured poet at Paris Lit Up, and her work has appeared in various publications including Catapult and Epiphany Magazine. Bialecki is the co-founder of the storytelling series Thirst, and the author of the novel Purple Gold (ANTIBOOKCLUB). 

For more information check out Grace's website (www.graciebialecki.com) or Twitter (www.twitter.com/graciebialecki).

Born in New Jersey, Courtney holds an MFA in Fiction from the University of Montana and a BA in Art History from Princeton. Her work has appeared in The Fairy Tale Review, The Masters Review, The Indiana Review, Barrelhouse, and The Los Angeles Review, among others. When Courtney's not writing, she can be found coaching lacrosse, hiking with her baby on her back, or looking for weird little pockets of wonder in the world. Courtney lives in Seattle, where she was a Hugo House Fellow in 2018-2019.

Liza Birnbaum's fiction and essays have appeared in Web Conjunctions, jubilat, Open Letters Monthly, and other publications. She is a founding editor of Big Big Wednesday, an annual print journal of literature and visual art, and has taught creative writing in a number of settings, most recently at an alternative school for young women who are pregnant or parenting. In 2019, she will be a funded resident at the Lillian E. Smith Center at Piedmont College. She holds an MFA from the University of Massachusetts Amherst. For more of Liza go to lizabirnbaum.com.

Doctora en literatura europea, Universidad Autónoma, Madrid, Spain

Margarita Borrero es novelista, premiada y publicada en España, y escritora de relatos, género en el que ha ganado media docena de primeros lugares en distintos certámenes en España, Estados Unidos y Canadá. Durante más de una década se ha desempeñado como docente de Escuela de escritores, una de las instituciones privadas de escritura creativa más grandes del mundo hispanohablante, miembro de la Asociación Europea de programas de escritura creativa. También ha trabajado como profesora asociada en Mount Saint Mary University, en Los Ángeles.

PhD European Literature, Universidad Autónoma, Madrid, Spain

Margarita Borrero is an award-winning novelist from Colombia. She has received numerous short story awards in Spain, Canada and the United States. She teaches at Madrid’s Escuela de Escritores, one of the top private creative writing institutions of the Hispanic world and a member of the European Association of Creative Writing Programs. She has also worked as an associate professor at Mount Saint Mary University in Los Angeles.

Amy Bowers is a Florida native currently living in Connecticut with her family. Her writing explores art, domestic culture, the insect and natural worlds, and manufactured places and spaces. She is currently working on an essay collection about growing up in central Florida among amusement parks, alligators, and hurricanes. She holds an MFA in CNF from Bennington and has work published or forthcoming in [PANK], Washington Square Review, West Trade Review, OxMag, Farm-ish, Assay, and LA Review of Books. Her essay Manual is published (fall 2021) in A Harp in the Stars: An Anthology of Lyric Essays, edited by Randon Billings Noble and published by the University of Nebraska Press.

Sabra Boyd is a writer, editor, journalist, and public speaker whose work has been featured in The New York Times, The Washington Post, Eater, Vice, IndieWire, Psychology Today, HuffPost, The Seattle Times, and more. From personal essays to investigative journalism, Sabra enjoys helping others build their own successful writing careers.

Hannah Brancato (she/her) is an artist and educator based in Baltimore, whose art practice is grounded in collective storytelling, and the creation of public rituals to bring people’s stories together. She is faculty at Maryland Institute College of Art, Towson University and UMBC. In Fall 2021 she was a Studio Resident at VisArts, culminating in the solo exhibition, Inheritance of White Silence, a socially engaged project investigating ways to resist inherited white supremacy culture. Hannah is currently working to document the integral role of art in social justice work, through a series of interviews with anti-sexual violence activists called Move Slowly; and by teaching Art x Resistance, a collaborative research-based course of her own design. She is a recipient of the 2021 Rubys Artist Grant for Dreamseeds, an installation of textiles, sound, and interactive components that will invite current and budding activists in Baltimore to develop visions for the future, co-created with Sanahara Ama Chandra.

Brancato is co-founder FORCE: Upsetting Rape Culture, an art/organizing collective that produces creative interventions to create a culture of consent, best known for the Monument Quilt. She was a FORCE collective member from 2010-2020, is a 2015 OSI-Baltimore Community Fellow, and as part of FORCE, is the recipient of the 2016 Sondheim Artscape Prize, awarded to one artist or collective in the Mid-Atlantic region per year.

Brancato’s work has received widespread media coverage, including Afterimage, Ms Magazine, Voice of America, Bmore Art, the Washington Post, MSNBC, Surface Design Journal, and Fast Company. 

Bella Bravo is a writer new to Seattle. They earned an MFA in fiction from the University of Wisconsin, Madison in 2022. Their stories and essays have appeared in NY Tyrant, Spoil, and Commune. For more information go to bellabravo.com and follow on Instagram @bellabravo.

Lynn Breedlove, author of the novel Godspeed and the performance text On Freak Show, derived from his one-man-show of the same name. For his long-term contributions to Bay Area queer culture – from stints in music ensembles from Tribe8 to The Homobiles, to entrepreneurial accomplishments such as establishing the first all-female bicycle courier company, Lickety Split, to the pioneering, queer-centric ride share business Homobiles, Breedlove received a Certificate of Honor from the San Francisco Board of Supervisors. Breedlove last joined Sister Spit on their 1998 tour.

Sara Brickman is a queer Jewish writer and performer born in Ann Arbor, MI. The winner of the Split This Rock Poetry Prize, Sara has received grants and scholarships from the Lambda Literary Foundation, the Yiddish Book Center, 4Culture, and Artist Trust, and their performance have appeared at On The Boards and theaters and community spaces nationwide. A BOAAT Writers Fellow and Ken Warfel Fellow for Poetry in Community, their writing appears in Narrative, Adroit, The Indiana Review, Muzzle, and the anthologies Ghosts of Seattle Past, The Dead Animal Handbook, and Courage: Daring Poems for Gutsy Girls. They are currently at work on a book of poems and hybrid essay collection and performance about community resilience, trauma, statuary, and collective organizing in Charlottesville, VA during the white-nationalist rallies of 2017. Sara holds an MFA from the University of Virginia and lives in Seattle, where they work in a library, teach writing to youth and adults, and parent a cat named Latke. 

S.K. Brownell is writer, artist, and educator from the American Midwest. Their work has been shortlisted for the inaugural Samuel R Delany Fellowship in Speculative Fiction and has received the National Partners of the American Theatre Playwriting Excellence Award, Solstice Literary Prize in Fiction Editor's Choice, and other honors. They are a Tin House Workshop alumn and a Sewanee Conference Tennessee Williams Scholar. Their fiction, poetry, and drama has appeared in Speculative North, Decoded, Great Lakes Review, Newfound, and elsewhere. Stephanie holds an MFA from Boston University and teaches at Carroll University, GrubStreet, and Pioneer Valley Writers Workshop. They currently live in Boston with a cat called Wander. Find them online at skbrownell.com or @skbrownell.

Twitter: www.twitter.com/skbrownell

Marci Calabretta Cancio-Bello is the author of Hour of the Ox (University of Pittsburgh, 2016), winner of the Donald Hall Prize for Poetry. She and E.J. Koh co-translated Yi Won’s The World’s Lightest Motorcycle (Zephyr Press, 2021). Cancio-Bello has received fellowships from the National Endowment for the Arts, Kundiman, the Knight Foundation, and the American Literary Translators Association, and her work has appeared in Best Small Fictions, Kenyon Review Online, The New York Times, and more. She is co-director for the Adoptee Literary Festival and PEN America Miami/South Florida Chapter, and a program coordinator for Miami Book Fair. www.marcicalabretta.com