Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
Teachers

Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
S.K. Brownell is writer, artist, and educator from the American Midwest. Their work has been shortlisted for the inaugural Samuel R Delany Fellowship in Speculative Fiction and has received the National Partners of the American Theatre Playwriting Excellence Award, Solstice Literary Prize in Fiction Editor's Choice, and other honors. They are a Tin House Workshop alumn and a Sewanee Conference Tennessee Williams Scholar. Their fiction, poetry, and drama has appeared in Speculative North, Decoded, Great Lakes Review, Newfound, and elsewhere. Stephanie holds an MFA from Boston University and teaches at Carroll University, GrubStreet, and Pioneer Valley Writers Workshop. They currently live in Boston with a cat called Wander. Find them online at skbrownell.com or @skbrownell.
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a non-fiction book entitled, The Year I Didn't Kill Myself and a novel, The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice.
Lauren Camp is the author of five books, recently Took House (Tupelo Press). Honors include the Dorset Prize and finalist for the Arab American Book Award. Her poems appear in Poem-a-Day, Witness, Blackbird, Prairie Schooner, and Kenyon Review.
Tara Campbell is a writer and teacher specializing in speculative fiction and flash fiction. She is a fiction editor at Barrelhouse, and teaches fiction at American University, Johns Hopkins University's Master in Writing, The Writer's Center, Politics and Prose, and the National Gallery of Art's Writing Salon. She's published a novel and four collections, as well as stories in publications such as SmokeLong Quarterly, Masters Review, Wigleaf, Booth, Strange Horizons, and CRAFT Literary.
Before earning her MFA at American University, Tara received an MA in German, and a BA in English. She is a Kimbilio Fellow, and the recipient of the following awards from the DC Commission on the Arts and Humanities: the 2016 Larry Neal Writers' Award in Adult Fiction, the 2016 Mayor's Arts Award for Outstanding New Artist, and Arts and Humanities Fellowships for 2018 – 2022.
Originally from Anchorage, Alaska, Tara Campbell has also lived in Oregon, Ohio, New York, Germany and Austria. She currently lives in Washington, D.C. Follow her on Twitter: @TaraCampbellCom or Instagram: @thetreevolution
Kate Carmody is a recipient of a CINTAS Foundations grant supporting artists born in Cuba or of Cuban descent. Her work has been published or is forthcoming in Potomac Review, Essay Daily, No Contact, Los Angeles Review, The Journal of Compressed Creative Arts, and Lunch Ticket, among others. She received her MFA from Antioch University in Los Angeles. While pursuing her MFA in creative nonfiction, she worked as a blogger, assistant blog editor, and the assistant lead editor for the youth spotlight series at Lunch Ticket. In addition to teaching at Hugo House, she teaches writing through the Loft Literary Center, Austin Bat Cave, and Antioch’s Continuing Education Program. In 2012, she received the Facing History and Ourselves Margot Stern Strom Teaching Award and in 2017, was selected by Facing History and Ourselves to participate in a Bill and Melinda Gates Foundation grant-funded study to assess if peer-led professional development can improve teachers’ instruction of literacy standards. She lives in Denver, Colorado with her husband and dog. The three of them are in a band called Dadafacer.
Katrina Carrasco writes novels, short stories, and essays. Her debut novel, THE BEST BAD THINGS (MCD/Farrar, Straus and Giroux, 2018), was a finalist in the Lambda Literary Awards and Washington State Book Awards, and won the Shamus Award for Best First P.I. Novel. Her essays and short stories have appeared in publications and websites including Witness Magazine, Post Road Magazine, and Literary Hub. She has received support from the Corporation of Yaddo, Blue Mountain Center, Jentel, Artist Trust, and other residencies and arts organizations. Katrina is a mentor with Latinx in Publishing, and she also mentors writers through the UCLA Alumni Mentor Program. She is working on a new novel.
Bill Carty has received fellowships from the Fine Arts Work Center, Artist Trust, and Hugo House. He is the author of Huge Cloudy (forthcoming, Octopus Books). His poems have appeared in the Boston Review, Ploughshares, Iowa Review, and other journals.
j.chavez (they/them) is a Seattle based playwright, educator, and all around theatre maker. Through the power of Red Bulls they earned a BA in Theatre from Western Washington University, concentrating in Directing, Dramatic Writing, and Education. They are the founder and artistic director of Haus of Hazard Theatre Productions which does free theatre in the PNW. They were crowned the unofficial title of Lil’ Miss Kennedy Center for their play “how to clean your room (and remember all your trauma)” which was awarded The KCACTF National Undergraduate Playwriting Award 2020 and the David Mark Cohen National Award in 2021. “how to clean” is featured in the Methuen Drama Book of Trans Plays, a first of it’s kind anthology of Trans plays written by Trans playwrights for Trans people. It’s been over two decades and Jay is still chasing the knowledge of how wind works. They are a teaching artist at Seattle Children’s Theatre. When they aren’t working, they love to drink coffee, write bad adaptations of classic plays, and cooking delicious meals their mother describes as “too spicy”. They are excited to teach with Hugo House.
Chen Chen is the author of When I Grow Up I Want to Be a List of Further Possibilities, which won the A. Poulin Jr. Poetry Prize, Thom Gunn Award for Gay Poetry, and the GLCA New Writers Award. Longlisted for the National Book Award, When I Grow Up I Want to Be a List of Further Possibilities was also a finalist for the Lambda Literary Award for Gay Poetry, and was named one of the best of 2017 by The Brooklyn Rail, Entropy, Library Journal, and others. About the collection, Stephanie Burt says,“As Chen’s younger self had to escape from constricting familial expectations (become a lawyer, marry a woman, buy a house), the adult writer has to escape from the constrictions of autobiography, into hyperbole, stand-up comedy, fairy tale, twisted pastoral. It’s easy to imagine a young reader seeing himself here as he had not seen himself in poems before.” He is also the author of two chapbooks, Set the Garden on Fire (Porkbelly Press, 2015) and Kissing the Sphinx (Two of Cups Press, 2016).
In an interview with NPR, Chen explained, ““I felt like I couldn’t be Chinese and American and gay all at the same time. I felt like the world I was in was telling me that these had to be very separate things.” As someone who was struggling with his sexuality and thinking about identity— with immigrant parents and wondering how to come out, “Poems were a way for those different experiences to come together, for them to be in the same room.”
His work has appeared in many publications, including Poetry, Tin House, Poem-a-Day, The Best American Poetry, Bettering American Poetry, and The Best American Nonrequired Reading. Recently, his work has been translated into French, Greek, Spanish, and Russian. Poets & Writers Magazine featured him in their Inspiration Issue as one of “Ten Poets Who Will Change the World.” He has received fellowships from Kundiman, Lambda Literary, and the Saltonstall Foundation.
Chen earned his MFA from Syracuse University and is pursuing a PhD in English and Creative Writing as an off-site Texas Tech University student. He lives in frequently snowy Rochester, NY with his partner, Jeff Gilbert and their pug dog, Mr. Rupert Giles.
Chen is the 2018-2020 Jacob Ziskind Poet-in-Residence at Brandeis University.
Ansley Clark is a writer and educator based in Bremerton. She received her MFA in Poetry from the University of Colorado and is the author of the chapbook Geography (dancing girl press 2015). Her poems and essays have appeared in Poetry Northwest, Black Warrior Review, Crazyhorse, Colorado Review, and elsewhere. She currently manages the writing center and teaches English at South Puget Sound Community College. She also co-designs and teaches creativity and sexuality workshops for women and nonbinary individuals, LGBTQ-focused poetry workshops for teens at Bainbridge Artisan Resource Network, and community arts-based antiracism workshops with the artist Hannah Brancato.