MenuSkip to content
- Events & Programs
What does it really take to write something so uproarious, so perverse, so deeply felt, so majestically sad that it has the power to bring the reader to tears? We’ll spend some time discussing the art of timing, set-up, build-up, characterization, context, and how to profane the sacred and make sacred the profane when trying to construct and relate genuine comedy to genuine tragedy in fiction. We’ll discuss works by Junot Díaz, George Saunders, and Lorrie Moore and do several exercises. This class will challenge you to move away from jokes and punchlines and drippy sentimentality and hone in on the interplay of pathos, sincerity, gravity, and levity in producing something truly tender and truly stirring.
Presented in partnership with APRIL Festival.
Due to COVID-19, all classes will take place online until further notice. If there's a possibility that your class might take place in person, you will be notified in advance. Even if classes can be held in person, there will always be a hybrid option to participate via Zoom.
Classes with "Zoom" in the title will be held via Zoom even after our doors open. Classes listed as "Online" will be held on Wet Ink, our platform for asynchronous learning.
All times are listed in Pacific Time.
Jenny Zhang is a poet, writer and performer living in New York. She’s the author of the poetry collection Dear Jenny, We Are All Find (Octopus Books) and a regular contributor to Rookie. She will be visiting Seattle in March as APRIL’s 2016 Writer-in-Residence. You can find her at jennybagel.com and on Twitter.