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We will write back to images. The course will activate creative, political, emotional, somatic, synesthesiac, analytical, attentional, and game-like responses to images. We will create images with which to create words. We will talk about the difference between words and images. We’ll also think about the oppressive ubiquity of the image. We’ll probably do some scrolling. Flash texts may include: Oscar Wilde, Lisa Roberson, François Laruelle, Susan Sontag, Gary Indiana, and more. Images will include contemporary film, video art, and much more.
Due to COVID-19, all classes will take place online until further notice. If there's a possibility that your class might take place in person, you will be notified in advance. Even if classes can be held in person, there will always be a hybrid option to participate via Zoom.
Classes with "Zoom" in the title will be held via Zoom even after our doors open. Classes listed as "Online" will be held on Wet Ink, our platform for asynchronous learning.
All times are listed in Pacific Time.
Class Type: 1 SessionFeatured Writers, Fiction, Multigenre, Nonfiction, Poetry
Start Date: 09/26/2019
Days of the Week: Thursday
Time: 6:00 pm – 9:00 pm
Minimum Class Size: 5
Maximum Class Size: 15
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$90.00 General Price:
Class has begun, registration is closed.
Anne Lesley Selcer is an art writer and a poet in the expanded field. Blank Sign Book is a collection of essays moving though the tensions and potentials between art and politics. Sun Cycle, winner of the CSU Poetry Center First Poetry Book Prize will be out September 2019. Named for the star that makes vision possible, it investigates image, power and gender. She is author of from A Book of Poems on Beauty, winner of the Gazing Grain prize, a chapbook emerging from her multidisciplinary research into Western beauty. Anne Lesley’s art writing includes Banlieusard, a commissioned book-length text on media and sense memory for Artspeak and Untitled (a treatise on form) for 2nd Floor Projects, a limited edition pamphlet in tandem with an exhibition. Critical writing appears in Fillip, Art Practical, Hyperallergic, The Capilano Review, Open Space, the anthology New Media Art 2017: Back to Nature, as well as in several exhibition catalogs, the most recent forthcoming this Fall for the Mills College Art Museum. Poetry appears in Fence, The Chicago Review, and Action, Yes! among several other small magazines. Anne Lesley wrote a column for Jacket2 on “art resistant to the transformation of social life into a frontier market” and a series of essays for SFMOMA’s Open Space on language and the moving image. In Vancouver BC, she created the Chroma Reading Series for creative research, artists working in language, and poetry; she was an initiating and contributing editor there to the Public Works anthology of art writing. Her language-based video, sound and text pieces have exhibited at the Krowswork, Visible Verse Festival, Southern Exposure, T-10 Video festival, and on Gauss PDF. Anne Lesley’s practice has been supported by residencies at Krowswork, Mildred’s Lane and Southern Exposure, and in tandem with the Nonsite collective, by The Headlands Center for the Arts and SFCameraworks.