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We will explore the city as it exists, thrives, and sometimes dies in words. This class wants to take a different approach to writing about the city. The class involves a close examination of three things: the philosophy of urban action (the strange case of Bogotá, Colombia), the biology of the city (the body in urban space and the nature of human sociality), and the art of psychogeography (feeling the city, remembering the city, and the city of our memories). After we examine these three things, we will begin writing experiments that utilize their key concepts. Nothing will be difficult or inaccessible. Learning must be fun.
Due to COVID-19, all classes will take place online-either through Zoom or through Wet Ink, our asynchronous learning platform-through the end of 2020.
All times are listed in Pacific Time.
Class Type: 6 SessionsNonfiction
Start Date: 09/18/2014
End Date: 10/23/2014
Days of the Week: Thursday
Time: 7:00 PM – 9:00 PM
Minimum Class Size: 5
Maximum Class Size: 15
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$245.00 General Price:
Class has begun, registration is closed.
Charles Tonderai Mudede is a Zimbabwean-born writer, filmmaker, and cultural critic. He writes about film, books, music, crime, art, economics, and urban theory for The Stranger. Mudede has made three films, two of which, Police Beat and Zoo, premiered at Sundance, and one, Zoo, was screened at Cannes. Mudede has written for the New York Times, Arcade Journal, Cinema Scope, Ars Electronica, The Village Voice, Radical Urban Theory, and C Theory. Mudede is also on the editorial board for the Black Scholar, which is based at the University of Washington, and between 1999 and 2005, lectured on post-colonial theory at Pacific Lutheran University, and in 2003 published a short book, Last Seen, with Diana George. Mudede has lived in Seattle since 1989.