Susan Briante is the author most recently of Defacing the Monument (Noemi Press 2020), a series of essays on immigration, archives, aesthetics and the state, winner of the Poetry Foundation’s Pegasus Award for Poetry Criticism in 2021. In a starred review, Publisher’s Weekly calls the collection “a superb examination of the ethical issues facing artists who tell others’ stories” and a “dazzlingly inventive and searching text.”
Briante’s collection of poetry The Market Wonders (Ahsahta Press) was a finalist for the National Poetry Series. The Kenyon Review calls it “masterful at every turn.” The collection was recently translated into Spanish by the poet Giancarlo Huapaya and published under the title El Mercado se pregunta by Kriller71 (Madrid). Briante is also the author of the poetry collections Pioneers in the Study of Motion and Utopia Minus (an Academy of American Poets Notable Book of 2011. Of Utopia Minus, Publisher’s Weekly declared: “this book finds an urgent language for the world in which we live.”
She has received grants and awards from the Atlantic Monthly, the MacDowell Colony, the Academy of American Poets, the US-Mexico Fund for Culture, and (most recently) the Ucross Foundation. Recent work has appeared in the Virginia Quarterly Review, The Best American Poetry (2021) and The Brooklyn Rail. She is a professor of English in the creative writing program at the University of Arizona. There she serves as co-coordinator of the Southwest Field Studies in Writing Program, which brings MFA students to the US-Mexico border to engage in reciprocal research projects with community-based environmental and social justice groups. She is also a member of the Detained project, a team of artists, scholars and activists who record and archive the oral histories of formerly detained migrants and asylum seekers.
