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Class Catalog

Browse Fall & Winter Classes!

 

Click on the cover above to view the Winter print catalog as a PDF.

Hugo House: Your best source for writing classes in Seattle.

For more information on the schedule, scholarships, the various formats of our writing classes, and cancellation policies, check out our About page. Or, go meet our talented instructors.

If you would like to receive our quarterly catalogs in the mail, please contact us.


Winter Registration Dates

All registrations open at 10:30 am

$500+ donor Registration: November 26
Member Registration: November 27
General Registration: December 4


New! Early Bird Pricing November 26 through December 10:

  • $10 off one-session classes
  • $20 off classes that are two to six sessions
  • $35 off classes that are eight sessions or more

Early bird pricing will automatically apply at checkout. 

Filter Courses:

Writing Scenes

Intermediate | A cornerstone of literary writing, scenes dramatize a moment and bring it to life for readers. This course will share some tools for effective scene-setting, from sensory detail and imagery to character, dialogue, and plot. Through reading samples…

Course Type: 1 Session  |   Instructor: Gail Folkins

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Start Date: 02/03/2019 – 1:00 PM

Gail Folkins

Gail Folkins often writes about her deep roots in the American West. She is the author of two creative nonfiction books from Texas Tech University Press: a Pacific Northwest memoir titled Light in the Trees (2016), and Texas Dance Halls: A Two-Step Circuit (2007), which was a popular culture finalist in ForeWord Review’s 2007 Book of the Year Awards. Folkins’ essay “A Palouse Horse” was a Notable Essay in The Best American Essays 2010. Her essays and poetry have appeared in publications such as River Teeth Journal - Beautiful Things, North Dakota Quarterly, Wisconsin Life, Texas Highways, and Wildflower Magazine. She has taught at the University of Wisconsin-Stevens Point, St. Edward’s University (Austin), and Austin Community College.

Teaching philosophy: My goal is to further understanding of craft while also encouraging expression of students’ unique voices. Students have praised my workshop format and student-centered approach. Students learn to not only share a narrative, but to also explore their experiences and discoveries. I encourage students to read as writers, meaning focusing on elements of craft in addition to literary themes.

Writers I return to: Edward Abbey, Julia Alvarez, Margaret Atwood, Kim Barnes, Rick Bass, Dennis Covington, Louise Erdrich, Ernest Hemingway, Pico Iyer, and Jhumpa Lahiri.

Favorite writing advice: Find the extraordinary in the everyday.

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Creative Nonfiction II Online

This class will build on craft learned in Creative Nonfiction I, furthering your understanding of literary tools such as scene, character, and dialog, and is appropriate for writers who’ve taken Creative Nonfiction I or are familiar with genre basics. You…

Course Type: 8 Sessions  |   Instructor: Gail Folkins

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Start Date: 02/05/2019

Gail Folkins

Gail Folkins often writes about her deep roots in the American West. She is the author of two creative nonfiction books from Texas Tech University Press: a Pacific Northwest memoir titled Light in the Trees (2016), and Texas Dance Halls: A Two-Step Circuit (2007), which was a popular culture finalist in ForeWord Review’s 2007 Book of the Year Awards. Folkins’ essay “A Palouse Horse” was a Notable Essay in The Best American Essays 2010. Her essays and poetry have appeared in publications such as River Teeth Journal - Beautiful Things, North Dakota Quarterly, Wisconsin Life, Texas Highways, and Wildflower Magazine. She has taught at the University of Wisconsin-Stevens Point, St. Edward’s University (Austin), and Austin Community College.

Teaching philosophy: My goal is to further understanding of craft while also encouraging expression of students’ unique voices. Students have praised my workshop format and student-centered approach. Students learn to not only share a narrative, but to also explore their experiences and discoveries. I encourage students to read as writers, meaning focusing on elements of craft in addition to literary themes.

Writers I return to: Edward Abbey, Julia Alvarez, Margaret Atwood, Kim Barnes, Rick Bass, Dennis Covington, Louise Erdrich, Ernest Hemingway, Pico Iyer, and Jhumpa Lahiri.

Favorite writing advice: Find the extraordinary in the everyday.

See current classes >