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Class Catalog

Browse Fall & Winter Writing Classes!

Hugo House: Your best source for online writing classes in Seattle and around the world.

For more information on the schedule,  the various formats of our writing classes, and cancellation policies, check out our About page. Information about Scholarships can be found on its own new page. Or, go meet our talented instructors.

For help finding writing classes, or if you’ve registered for an online class but haven’t received a Zoom link, contact our registrar or call us at 206.322.7030.

All classes are in Pacific Time. All classes will take place on Zoom or our asynchronous learning platform, Wet Ink, through Winter quarter 2021.

If you would like to receive our quarterly catalogs in the mail, please contact us.


Winter Registration Dates

All registrations open at 10:30 am

$500+ Donor Registration (by phone only): November 20
Member Registration: December 1
General Registration: December 8


Early Bird Pricing November 30 through December 14:

  • $10 off classes that are one to three sessions
  • $20 off classes that are four to eight sessions
  • $30 off classes that are ten sessions or more

Early bird pricing will automatically apply at checkout. 

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Building Tension, Winding Down the Clock

Intermediate | If your stories tend to run out of steam a few pages in, the problem may be that they lack tension. Creating drama requires building tension and the simplest way to do that is to set a countdown…

Course Type: 2 Sessions  |   Instructor: Josh Potter

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Start Date: 03/15/2021 – 7:10 pm

Josh Potter

Josh Potter is a writer based in Seattle whose prose is mainly concerned with the ways in which human interiority and physical landscapes relate. He grew up in Detroit, Michigan and studied journalism in Montana and moved to Seattle to work in outdoor education before earning his Masters in Fine Art at the University of Washington. Potter’s work attempts to reflect and examine his own complicity in colonial erasure as a white transplant to Seattle and the ways in which his own personal narrative is both inseparable and independent from national trauma. His stories and essays question how human conflict shapes geography. His personal essays have been featured in Guernica, Cascadia Rising and the New Limestone Review. His fiction has appeared in Driftwood Press, Sick Lit, City Arts and elsewhere. His short story, Snowdrift, won the JuxtaProse fiction contest in 2017.

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