Agents, Editors, and the Publishing Industry (for BIPOC)
with Soumeya Bendimerad Roberts, Laura Gonzalez, Rakesh Satyal and Sonora Jha
Genres: Fiction, Nonfiction, The Writing Life
Online
Intermediate, Advanced
1 Session
This one-day class offers an overview of the publishing business geared toward BIPOC writers of fiction and nonfiction. We will discuss ways of subverting the "white gaze" in publishing and building networks of support. Participants will learn about writing query letters, finding the agent that is the best champion of their voice, and advocating for their vision/project in a white-dominated publishing industry. The class will bring in agents (with an opportunity to pitch selected projects to an agent!), as well as editors from a big publishing house and an independent press, people who are looking for books by BIPOC authors and are working to change the industry from within.
Soumeya Bendimerad Roberts
Soumeya Bendimerad Roberts is a literary agent and VP, Foreign Rights, at HG Literary.
In fiction, Soumeya is seeking literary and upmarket novels and collections, and also represents realistic young-adult and middle-grade. She likes books with vivid voices and compelling, well-developed story-telling, and is particularly interested in narratives by people of color and fiction that reflects on the post-colonial world. She's currently on the hunt for narratives set in enclosed settings, stylized literary takes on genre (especially literary thriller and suspense), novels set in other countries or shot through with elements of travel, family sagas, historical narratives (especially those that intertwine with the present), honest, updated, politically charged takes on the domestic family novel, and unconventional love stories. A lover of craft, she is drawn to observant writing that illuminates dynamic relationships between complex but sympathetic characters, intelligent experiments with form, and stories that enchant and transport the reader in authentic and inventive ways. In non-fiction, she is primarily looking for idea-driven or voice-forward memoirs, personal essay collections, and approachable narrative non-fiction of all stripes: politics, current events; popular culture, (especially anything that deals with subcultures – the more minute the better), unconventional business, popular science, adventure, psychology, and more. She also represents practical nonfiction in the areas of cooking, design, craft, gardening, travel and the outdoors, humor, health, and parenting.
Laura Gonzalez
Laura Gonzalez is an editorial assistant at Catapult Books. Previously, she was a marketing assistant at Catapult, Counterpoint, and Soft Skull Press and a bookseller at The Strand. She lives in Philadelphia, where she likes to bake cookies and play with her cats.
Rakesh Satyal
RAKESH SATYAL is an Executive Editor who specializes in serious narrative nonfiction, as well as literary fiction and fiction in translation. He acquires across all the HarperOne lists — HarperOne, Amistad, HarperVia, and HarperCollins Español. He held previous editorial positions at Atria/Simon & Schuster, Harper/HarperCollins, and Doubleday/Random House. He has acquired and edited many New York Times bestsellers, including Let Love Have the Last Word by Common, Resistance by Tori Amos, I Have Something to Tell You by Chasten Buttigieg, the Children of Eden series by Joey Graceffa, I Can't Date Jesus by Michael Arceneaux, Holding by Graham Norton, and Furious Love by Sam Kashner and Nancy Schoenberger. Other authors with whom he has worked include Michael Ausiello, Guy Branum, Terry Castle, Paolo Cognetti, Marcia Gay Harden, Daniel Lavery, Armistead Maupin, Janet Mock, and Jake Shears.
An award-winning novelist (No One Can Pronounce my Name and Blue Boy), Rakesh has taught in the publishing program at New York University and currently serves as Vice President of the board of Lambda Literary, the world's leading LGBTQ+ literary organization. He is based in New York.
Sonora Jha
Sonora Jha is the author of the novels The Laughter (2023) and Foreign (2013) and the memoir How To Raise A Feminist Son: A Memoir and Manifesto (2021). After a career as a journalist covering crime, politics, and culture in India and Singapore, she moved to the United States to earn a Ph.D. in media and public affairs. Sonora’s OpEds, essays, and public appearances have featured in The New York Times, on BBC, and elsewhere. She is a professor of journalism and lives in Seattle. She teaches fiction and essay writing for Hugo House, Hedgebrook Writers’ Retreat, and Seattle Public Library.
FAQ
Complete FAQEach class description includes a breakdown of what you can expect in terms of in-class activity, feedback, and homework (if any).
Generative means you’ll be generating new writing, either in class or at home between classes.
Workshop means you’ll be sharing work to be read and critiqued by your instructor and classmates and that you will also be critiquing the work of your peers.
Reading means you’ll be doing close reading of a work with an eye toward craft.
Craft discussion means you’ll be looking at the tools writers use to do that thing they do so well and then trying it out yourself.
Class levels are designed for various stages of the writing journey. Simply self-select the level that sounds best for where you’re at.
Introductory: This is your first creative writing workshop, first writing class since high school, or first foray into a new genre or form. You’re looking to try something new, kickstart your writing, and/or establish yourself in the fundamentals.
Intermediate: You have a strong understanding of writing fundamentals and are eager to deep dive into craft. You’re honing your writerly identity and voice through independent projects. In workshop, you look for constructive feedback and are ready to do writing and reading outside of class.
Advanced: You’ve written a significant body of work and have taken it through several stages of revision. You’re getting ready to publish or are in the early stage of publishing, and you’re interested in refining the skills that will take you to the next level in the literary industry.
All Levels: You are any of the above and are looking to play with new possibilities.
You’ll get your class information, including Zoom link if applicable, three days before the first day of class.
Write With Hugo House is our free monthly write-in program, operated in partnership with the Seattle Public Library. Two take place onsite at SPL locations, one takes place online.
Sliding-scale classes are offered every quarter. Find them in our Class Catalog.
We announce flash sales, early bird periods, and special deals through our e-newsletter; sign up at the bottom of this page.
At this time, we offer payment plans on classes 8 sessions and up. Email education@hugohouse.org with the name of the class you’re interested in to set up a payment plan.
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We charge a 5% nonrefundable administrative fee for all payment plans.
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Extended payment plans up to 8 monthly installments and 16 semi-monthly installments are available upon request.
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We are unable to hold seats for prospective payment plan students. Students will be enrolled once their first installment has been paid.
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If you need to cancel, Hugo House will issue refunds according to its cancellation and transfer policies. Your 5% nonrefundable admin fee will not be refunded.
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If you withdraw from a class after it begins, you will not receive a refund and are still responsible for paying the full course tuition.
Asynchronous classes are perfect for students that need flexibility!
During an asynchronous class, instructors release new lessons once per week. Students then have one week to complete that lesson and any accompanying coursework. You’ll learn as much as you would in a traditional class but with the flexibility to work at the best times for your schedule!
While there are no live sessions, asynchronous classes are still a lively and rigorous experience. Async classes are not static lessons but an adaptable and energetic community space. Be ready to work in a collaborative environment, giving and receiving feedback on your writing, participating in discussions, and growing your writing practice in a way that works best for you.
Asynchronous classes take place through the website Wet Ink. Students receive an invitation to the class and to set up a Wet Ink account on the start date of the class. Each week of the class, a new lesson will be available through the Wet Ink portal. Classes close two weeks after the end date, and students receive an email containing their content from the class when it closes.
Hugo House will only process refund requests that are submitted 5 business days or more before the class start date. To request a refund, log in to your account, go to “My Account,” select the “Orders” tab on the left-hand side, click the appropriate order, and request a refund for your specific class. Administrative fees apply. Please see our full refund policy here.
In general, we do not record classes. However, an exception if a student has specific access needs.
We encourage students to only sign up for classes that fit with their schedule.
We do not tolerate racist, sexist, homophobic, ableist, transphobic or any other oppressive behaviors, regardless of who commits them. Please check out our full community guidelines by clicking here. If an instance of community guidelines are violated and not resolved within the classroom, students may let us know by filling out the student incident report.
If Hugo House needs to cancel a class for any reason, you’ll receive a full refund.
You can apply for a scholarship by clicking the red “Request a Scholarship” text on class pages. The scholarship request text is located at the top of each class page, underneath the “add to cart” button.
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