Courage to Write: Yearlong in Writing Practice
with Beth Slattery
Genres: Fiction, Nonfiction, Poetry, The Writing Life, Writing for Performance
Online
Open to all levels
30 Sessions
The product of writing is the words on the page. But the work of writing is showing up consistently: for your ideas, for your voice, and for the part of you that knows this matters.
This yearlong course is a gentle, steady companion for writers who want to build (or rebuild) a sustainable writing practice. Whether youβre returning after a long break or trying to write through doubt, perfectionism, or overwhelm, this class offers structure, encouragement, and space to grow.
Over nine months, youβll reconnect with why you write and develop a rhythm that fits the shape of your life. We'll draw inspiration from writers like Melissa Febos, Brenda Ueland, and Anne Lamott; set and work toward personal goals; keep a writerβs notebook; and share (if youβd like) in a supportive circle of peers. You'll experiment with tools like mindfulness practices, community accountability, writing exercises, and moreβbuilding a custom approach that supports consistency, confidence, and ease.
Most importantly, youβll work on building and sustaining the courage and habits to keep you going, even on the hard days.
Youβll leave with a deepened sense of creative identity, practical strategies for staying engaged, and real progress on your creative projects.
Perfect for writers looking to strengthen their practice, build trust in themselves, and make writing a joyful, integral part of their lives.
This class focuses on:
- Generative Writing: Focuses on producing new writing through prompts and exercises.
- Writing Life & Process: Focuses on developing writing habits, overcoming procrastination, or sustaining creative momentum.
- Writing for Personal Growth: Emphasizes self-expression, journaling, or therapeutic writing practices.
What to expect:Β
- Goal-Setting & Accountability: Includes tools or practices to help students stay motivated.
- Project-Based: Students will work toward completing a specific project (e.g., a story, poem, or essay).
- Reading & Analysis: Published works will be closely read as part of the learning process.
- Class Discussion: Facilitated class conversation
- Prompts & Exercises: Class features guided writing activities.
- In-Class Writing Time: Class will include dedicated time to write.
- In-Class Sharing: Students are invited to share their writing aloud or in small groups during class.
- Instructor Feedback: Students receive direct feedback from the instructor.
- 2-3 hours of reading and/or writing outside of class per week.
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Q&A with Courage to Write: Yearlong in Writing Practice instructor Beth Slattery
What do students need in order to take this class (craft knowledge, specific skills, projects, etc.)?
While students do not need to be at an advanced level of writing, they should be committed to the idea that writing needs to be a regular part of their life, just as a workout schedule or a meditation practice might be. With that in mind, they should have a willingness to interrogate their own writing practice, where it is strong, where it is weak, where it is non-existent. They should have both the time and willingness to write regularly during any given week, and for the purposes of the class, time to do the reading and writing exercises that we'll be discussing. No other special writing skils are required.
What is the community-building experience like in this class?
Community-building is very important to me in all of my classes and in this one in particular. My goal is that many of you will leave the class with writer connections that will being lifelong. Because writing is mostly a solitary process, it is important to make connections with like-minded people with similar goals so we feel supported, understood, and _heard_. With this in mind, class discussions are guided in a way that should help you discover, implement, and work to retain connections with some of your classmates. We will talk a lot, offer support, share concerns, share work occasionally, and make a safe space for each other to investigate what makes our inner-writer tick!
What are you most excited to share and/or experience with your students?
I'm most excited about having the coninuity of working with the same group of people for an academic year. At the end of a 6- or 8-week course I find myself wishing we had more time to see what happens as writing projects unfold, as students discover new aspects of their creativity, of their writing self, etc. And then there is the work; I'm looking forward to reading some of the pages sent my way and watch the stories unfold, the characters develop, and the plots become tighter.
What is your philosophy on being an artist?
For too long, I believed that to be a writer you had to already know what you wanted to say and that other people needed to hear it. Now, I believe that to be an artist of any kind you have to be a person for whom the question is the thing. The experiment. The search. If you already know the ending, whatβs the point? Exploring what makes me curious is what will give the work authenticity and why it will resonate with a reader. (People who have the answer before they start are usually wanting to sell us something: an antidote to unhappiness, a new diet, a vacuum cleaner.) I canβt hyper-focus on the end product because that is not where the magic happens. Itβs no good being too precious about anything we create. My own writing explores themes and connections in personal essays that have to do with synchronicity, faith, hope, the American Midwest at the end of the 20th century, and how I was shaped by being raised on Pop-tarts and TV by an unintentional feminist. And Iβll never have the answers about any of those things.
Anything else you'd like to share with your students?
Writing should be messy and thrilling and unexpected. It's a puppy with poor bladder control who barks too much and doesn't like to heel. We'll talk about it. We'll commiserate and try methods to help ourselves and each other learn to live with and love our writing life.
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Students say…
"Beth was very encouraging to all participants and did a great job checking regularly with our progress, and what we felt about the readings provided. I felt that in class she really made an effort to help us problem solve with specific sources of fear that we were experiencing and help to direct us towards solutions based on where we wanted to go next and what would help us to address particular issues. I do think that this process helped to build community for many of the members of classβ
βI have nothing but praise for this class. I almost feel embarrassed to say that I consider it almost life-changing?! Beth knows her stuff so, so well. She knows when to encourage, when someone needs gentleness, when they need a more firm hand, and most importantly she knows how to do all these things. Each week's reading was well chosen and had something interesting and important to impart. The discussions always left me with something to think about. I could go on, but most importantly, I appreciated Beth's personal touch. Having an instructor who cares about you as a writer, even though there are so many people in the class, and who will give tailored feedback and advice, makes all the difference.β
βReally excellent readings/topics that encourage fantastic group discussions. Iβm not sure if the best people take Bethβs classes or if sheβs just really great at bringing out the best in her students (probably the latter) but it was a very supportive and vulnerable group that felt very intimate despite the larger class size.β
Registration Dates:
- August 12: Member registration opens at 10:30 am PTΒ Β Β
- August 19: General registration opens at 10:30 am PTΒ
- August 26: Scholarships open
- August 31: Last day of Early Bird discount
This class is not eligible for a member discount. Learn more here Β»
Beth Slattery
Beth Slattery moved to Seattle after eighteen years of teaching creative writing and literature at Indiana University East. Since her relocation, she has been writing and editing. Beth is currently working on a collection of personal essays about her mid-life marriage to a Zimbabwean, a move from the Midwest to the Pacific Northwest, and a reluctant acceptance of the call to adventure. Her most recent publications appear in Assay: A Journal of Nonfiction Studies and Southern Womenβs Review. Bethβs recent editing work includes being a βbetaβ reader for an author with a multi-book publishing contract, content and copy editing of a personal essay collection, and providing comprehensive editing services on an edited academic volume that was later published by Oxford University Press. She has an M.A. in fiction writing from Miami University and an M.F.A. in creative nonfiction from the University of Southern MaineβStonecoast.
Describe your teaching style.
I'm a firm believer that we learn best when we discuss subjects, ask big questions (that sometimes don't have answers), and then apply that new knowledge (or questions) to our writing. In other words: we talk a lot; we write a lot. Added bonus: we have fun.
FAQ
Complete FAQEach class description includes a breakdown of what you can expect in terms of in-class activity, feedback, and homework (if any).Β
Generative means you’ll be generating new writing, either in class or at home between classes.
Workshop means you’ll be sharing work to be read and critiqued by your instructor and classmates and that you will also be critiquing the work of your peers.Β
Reading means you’ll be doing close reading of a work with an eye toward craft.Β
Craft discussion means you’ll be looking at the tools writers use to do that thing they do so well and then trying it out yourself.
Class levels are designed for various stages of the writing journey. Simply self-select the level that sounds best for where you’re at.Β
Introductory: This is your first creative writing workshop, first writing class since high school, or first foray into a new genre or form. Youβre looking to try something new, kickstart your writing, and/or establish yourself in the fundamentals.
Intermediate: You have a strong understanding of writing fundamentals and are eager to deep dive into craft. Youβre honing your writerly identity and voice through independent projects. In workshop, you look for constructive feedback and are ready to do writing and reading outside of class.
Advanced: Youβve written a significant body of work and have taken it through several stages of revision. Youβre getting ready to publish or are in the early stage of publishing, and youβre interested in refining the skills that will take you to the next level in the literary industry.
All Levels: You are any of the above and are looking to play with new possibilities.
You’ll get your class information, including Zoom link if applicable, three days before the first day of class.
Write With Hugo House is our free monthly write-in program, operated in partnership with the Seattle Public Library. Two take place onsite at SPL locations, one takes place online.Β
Sliding-scale classes are offered every quarter. Find them in our Class Catalog.
We announce flash sales, early bird periods, and special deals through our e-newsletter; sign up at the bottom of this page.
At this time, we offer payment plans on classes 8 sessions and up. Email education@hugohouse.org with the name of the class you’re interested in to set up a payment plan. Please note that you can only have 2 active payment plans per quarter.
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We charge a 5% nonrefundable administrative fee for all payment plans.Β
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Extended payment plans up to 8 monthly installments and 16 semi-monthly installments are available upon request.
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We are unable to hold seats for prospective payment plan students. Students will be enrolled once their first installment has been paid.Β
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If you need to cancel, Hugo House will issue refunds according to its cancellation and transfer policies. Your 5% nonrefundable admin fee will not be refunded.Β
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If you withdraw from a class after it begins, you will not receive a refund and are still responsible for paying the full course tuition.
Asynchronous classes are perfect for students that need flexibility!
During an asynchronous class, instructors release new lessons once per week. Students then have one week to complete that lesson and any accompanying coursework. Youβll learn as much as you would in a traditional class but with the flexibility to work at the best times for your schedule!
While there are no live sessions, asynchronous classes are still a lively and rigorous experience. Async classes are not static lessons but an adaptable and energetic community space. Be ready to work in a collaborative environment, giving and receiving feedback on your writing, participating in discussions, and growing your writing practice in a way that works best for you.
Asynchronous classes take place through the websiteΒ Wet Ink. Students receive an invitation to the class and to set up a Wet Ink account on the start date of the class. Each week of the class, a new lesson will be available through the Wet Ink portal. Classes close two weeks after the end date, and students receive an email containing their content from the class when it closes.
Hugo House will only process refund requests that are submitted 5 business days or more before the class start date. To request a refund, log in to your account, go to “My Account,” select the “Orders” tab on the left-hand side, click the appropriate order, and request a refund for your specific class. Administrative fees apply. Please see our full refund policyΒ here.
In general, we do not record classes. However, an exception if a student has specific access needs.
We encourage students to only sign up for classes that fit with their schedule.Β Β
We do not tolerate racist, sexist, homophobic, ableist, transphobic or any other oppressive behaviors, regardless of who commits them. Please check out our full community guidelines by clickingΒ here. If an instance of community guidelines are violated and not resolved within the classroom, students may let us know by filling out the student incident report.
If Hugo House needs to cancel a class for any reason, you’ll receive a full refund.
You can apply for a scholarship by clicking the red βRequest a Scholarshipβ text on class pages. The scholarship request text is located at the top of each class page, underneath the βadd to cartβ button.
Due to the limited number of scholarships, please only request up to two scholarships for two different classes per quarter if you truly meet the financial need requirements.
Hugo House members get to register early for classes – a full week before they open to the general public!, receive a 10% discount on events and classes, and more. See the full list of membership benefits here!
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