Classes

Fiction, Nonfiction

  • Term: Summer 2022
  • Start Date: July 12, 2022
  • End Date: August 16, 2022
  • Day of Week: Tuesday
  • Time: 5:00pm - 7:00pm
  • Level: Intermediate
  • Audience: Adult
  • Location: Online
  • Availability: Yes
  • Public Price: $305.00
  • Member Price: $274.50

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Kickstart, Jump Start, Restart

When you’re stuck, the best thing to do is something else: flip the trope, shift perspective, trespass where the sign says KEEP OUT. In this generative course, we’ll apply a range of literary art experiments to break free from entrenched patterns and shake up creative thinking. Bring your stalled drafts and ideas you haven’t yet been able to manifest, and we’ll let them run off-leash. Focused on nonfiction; all genres welcome.

Gabriela Denise Frank

Gabriela Denise Frank

she/her

Gabriela Denise Frank is an Pacific Northwest writer, editor, and creative writing instructor. Her essays, interviews, and fiction, explore identity, feminism, aging, belonging, creative practice, and ancestors. Her work appears in True Story, HAD, Poetry Northwest, Pembroke, DIAGRAM, Hunger Mountain, Bayou, Baltimore Review, The Normal School, The Rumpus, and elsewhere. Her essay “BAD DATE” was named a Notable Essay of 2020 by Best American Essays. Gabriela’s work is supported by grants, fellowships, and residencies from 4Culture, Artist Trust, The Civita Institute, Centrum, Invoking the Pause, Jack Straw Cultural Center, Marble House, Mineral School, Vermont Studio Center, and Willapa Bay. In 2009, she enrolled in her first Hugo House class, which reignited her writing life. Off the page, her literary art installations and performances transform stories into multisensory experiences. Her writing is rooted in place and landscape, a result of her career in architecture and urban design in the western United States. An advocate for public arts and artists, she serves as an arts commissioner for the City of Burien, on the arts advisory committee of 4Culture, and as creative nonfiction editor for Crab Creek Review. gabrieladenisefrank.comws, and fiction, explore identity, feminism, aging, belonging, creative practice, and ancestors. Her work appears in True Story, HAD, Poetry Northwest, Pembroke, DIAGRAM, Hunger Mountain, Bayou, Baltimore Review, The Normal School, The Rumpus, and elsewhere. Her essay “BAD DATE” was named a Notable Essay of 2020 by Best American Essays. Gabriela’s work is supported by grants, fellowships, and residencies from 4Culture, Artist Trust, The Civita Institute, Centrum, Invoking the Pause, Jack Straw Cultural Center, Marble House, Mineral School, Vermont Studio Center, and Willapa Bay. In 2009, she enrolled in her first Hugo House class, which reignited her writing life. Off the page, her literary art installations and performances transform stories into multisensory experiences. Her writing is rooted in place and landscape, a result of her career in architecture and urban design in the western United States. An advocate for public arts and artists, she serves as an arts commissioner for the City of Burien, on the arts advisory committee of 4Culture, and as creative nonfiction editor for Crab Creek Review. gabrieladenisefrank.com