Memoir as Poetry
In this genre-bending workshop, we'll collectively and independently explore and interrogate stories, communal folklore, and the archive of memories. We will lay our memories out (from multiple points of view) and jigsaw them to create, uphold, and deconstruct form. We'll begin each class with writing prompts to generate smaller pieces of work, and each participant will leave the class with three pieces of hybrid work: the haibun, nines, and epistolary poem. Class text will be provided by the instructor.
No class dates: 10/31/2023
Registration dates:
August 7: Scholarship Donation Day
August 8: Member registration opens at 10:30 am
August 15: General registration opens at 10:30 am
August 21: Last day of Early Bird pricing
Anastacia Reneé
Anastacia-Reneé (She/They) is a queer writer, educator, interdisciplinary artist, speaker and podcaster. She is the author of (v.) (Black Ocean) and Forget It (Black Radish) and, Here in the (Middle) of Nowhere and Sidenotes from the Archivist, forthcoming from Amistad (an imprint of HarperCollins). They were selected by NBC News as part of the list of “Queer Artist of Color Dominate 2021’s Must See LGBTQ Art Shows.” Anastacia-Renee was former Seattle Civic Poet (2017-2019), Hugo House Poet-in-Residence (2015-2017), Arc Artist Fellow (2020) and Jack Straw Curator (2020). Her work has been anthologized in: Teaching Black: The Craft of Teaching on Black Life and Literature, Home is Where You Queer Your Heart, Furious Flower Seeding the Future of African American Poetry, Afrofuturism, Black Comics, And Superhero Poetry, Joy Has a Sound, Spirited Stone: Lessons from Kubota’s Garden, and Seismic: Seattle City of Literature. Her work has appeared in, Hobart, Foglifter, Auburn Avenue, Catapult, Alta, Torch, Poetry Northwest, A-Line, Cascadia Magazine, Hennepin Review, Ms. Magazine and others. Renee has received fellowships and residencies from Cave Canem, Hedgebrook, VONA, Ragdale, Mineral School, and The New Orleans Writers Residency.
