Unpacking the Prose Poem

with Maya C. Popa

Genres: Poetry

Online

Open to all levels

1 Session

Start Date: September 23, 2022
End Date: September 23, 2022
Day of Week: Friday
Time: 10:00am - 1:00pm PT
Capacity: 20 seats
4 seats left!
Member Price: $81.00
General Price: $90.00

A favorite of the French symbolists and contemporary poets alike, the prose poem is an enigmatic, hybrid creature that wields the techniques of poetry but foregoes its line breaks. The poet James Tate went as far as to suggest that its paragraphs could trick the reader "into glimpsing a little sliver of eternity." In the first half of the workshop, we will read and study examples by Natalie Diaz, José Olivarez, Aracelis Girmay, and Robin Coste Lewis. In the second, we will turn to writing exercises that will help us generate and share our own prose poems.

Registration dates:

August 22: Scholarship Donation Day (Learn more.)

August 23: Member registration opens

August 30: General registration opens

Maya C. Popa

Maya C. Popa

Maya C. Popa is a Romanian-American poet and author of Wound is the Origin of Wonder (W. W. Norton, 2022), and American Faith (Sarabande, 2019), which was a recipient of the North American Book Prize and a runner-up in the Kathryn A. Morton Prize judged by Ocean Vuong. She is also the author of two chapbooks, both from the Diagram Chapbook Series: You Always Wished the Animals Would Leave and The Bees Have Been Canceled, which was a PBS Summer Choice.

About American FaithDeborah Landau says, “Maya Popa’s clear-eyed lyrics register with steady power a spectrum of 21st-century violences. In poems that take on the devastating pressure of climate change, gun violence, and our threatened democracy, Popa uses her gift to grieve and in grieving forge song. Revelatory yet emphatically unsentimental, Popa’s unflinching distillations illuminate the facets of our broken world; there is much wisdom here, and grace, and heart.” And of her poetry Publishers Weekly reflects, “Child of immigrants, teacher, woman in a vulnerable body, the speakers of Popa’s poems seek to set the record straight, knowing how little anyone listens—to poetry, of course, but to other people in general. Popa’s questing and questioning lyric poems are kind company amid the uncertainty of the modern world.”

A selection of poems from her manuscript in progress received 2nd place in The Alpine Fellowship Writing Prize judged by John Burnside and Gillian Clarke, and she was recently Highly Commended in the Bridport Prize.

Popa is the recipient of awards from the Poetry Foundation, the Oxford Poetry Society, the Hippocrates Society in London, and the Munster Literature Centre in Cork, Ireland, among others. She is the Poetry Reviews Editor at Publishers Weekly and teaches poetry at NYU. She is director of creative writing at the Nightingale-Bamford school where she oversees visiting writers, workshops, and readings.

She holds degrees from Oxford University, NYU, and Barnard College and is currently pursuing her PhD on the role of wonder in poetry at Goldsmiths, University of London.

Most classes are offered at a general and member tuition rates based on instruction hours, with Hugo House members receiving a 10% discount on classes fewer than six sessions.

Early bird discounts are available during the first two weeks of registration and apply to both general and member tuition rates.

To help provide financial accessibility to our class offerings, some classes each quarter are offered with a sliding-scale tuition model, allowing students to pay what they can for the class. For these classes, tuition increments starting at $5 and going up to 125% of the standard pricing will be listed on the page.

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Classes may be cancelled if less than the minimum number of students are enrolled within ten days before the class start date. If Hugo House needs to cancel a class for any reason, students can choose between receiving a full credit toward future classes or full refund.

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