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The Late Show: (Re)start Your Writing at 50+

For most of us, creativity doesn’t bloom on a tidy seasonal schedule— and tending to our creative practice garden can be interrupted and even postponed by careers, caregiving, and the

Reading and Writing Joan Didion

This class meets IN PERSON at Hugo House in Capitol Hill.  Joan Didion changed the landscape of American nonfiction forever with her incisive gaze and cool observation. Writing with precision, restraint, and a fierce sense of

Creative Renewal: Recharge Your Writing Life

Burnout doesn’t announce itself—it creeps in quietly. Before we realize it, the projects we care about stall, the well we once drew from goes dry, and sitting down to write is task that we never have time for. Rather than treat burnout as personal failure, we can

Write a Killer Commercial Mystery

This class meets IN PERSON at Hugo House in Capitol Hill.  Great commercial mysteries deliver two things at once: a story readers can't put down, and a puzzle they’re determined to solve. In this hands-on course, you’ll learn how to craft

Reading and Remixing: Experiments in Creative Writing

Many writers get stuck because they’re trying to generate new work in isolation—cut off from the voices and ideas that could be feeding them. For this reason, reading is one of the most potent yet overlooked creative tools a writer has. This class will teach you

Writing in Fragments

Sometimes a whole scene feels impossible to write—but a line? A moment? A glimpse? That’s doable. Fragments free you from the pressure of the “complete” and let you work with the sharp,

Writing Description That Works

Description can be tricky. Newer writers often avoid it completely—or use so much of it that the scene stalls. But effective description isn’t about piling on details; it’s about choosing the right ones. Strong, intentional description creates