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Advanced | Students who have completed Fiction I and II or have a similar level of experience will be ready for this class. We will workshop one story at a time with an emphasis on learning from the craft of a student’s piece. Lessons will be tailored to the issues in each student’s story. We’ll learn the Critical Response Process, an anti-oppressive feedback strategy that allows the writer to receive the feedback that is most useful to the story. We’ll build our tools of fiction while also bending them, questioning them, and reenvisioning what’s possible in storytelling. As time allows, we’ll also examine published work that inspires and instructs.
Payment plans available. Contact firstname.lastname@example.org for more information.
Due to COVID-19, all classes will take place online until further notice. If there's a possibility that your class might take place in person, you will be notified in advance. Even if classes can be held in person, there will always be a hybrid option to participate via Zoom.
Classes with "Zoom" in the title will be held via Zoom even after our doors open. Classes listed as "Online" will be held on Wet Ink, our platform for asynchronous learning.
All times are listed in Pacific Time.
Class Type: 16 SessionsFiction, Online
Term: Fall 2020
Start Date: 10/14/2020
No Class On: 11/25/20, 12/23/20, 12/20/20
End Date: 02/17/2021
Days of the Week: Wednesday
Time: 7:10 pm – 9:10 pm
Minimum Class Size: 5
Maximum Class Size: 15
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$760.00 General Price:
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Corinne Manning's fiction has appeared in Story Quarterly, Calyx, Vol 1 Brooklyn, Moss, The Bellingham Review, Southern Humanities Review, and is forthcoming in Wildness from Platypus Press. Additional stories and essays have appeared in Literary Hub, Vol 1 Brooklyn, Drunken Boat, Arts & Letters, anthologized in Shadow Map: An anthology of Survivors of Sexual Assault (CCM Press), and have been recognized as notable in The Best American Series. Corinne has received grants and fellowships from 4 Culture, Artist Trust, and the MacDowell Colony and founded The James Franco Review, a project on visibility and reimagining the publishing process.