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All Levels | We all have many things to vent about — but venting alone won’t produce good poems. Anger can flatten everything in its path, but good poems thrive on subtlety, ambiguity, complexity, and paradox. So how do you take the anger and use it to fuel powerful, moving, complicated poems? We’ll look at strategies for making the transformation, including Ginsberg’s “Howl,” Ilya Kaminsky’s Deaf Republic, Natalie Scenters-Zapico’s Lima :: Limón, Layli Long Soldier’s Whereas, and many others.
Due to COVID-19, all classes will take place online until further notice. If there's a possibility that your class might take place in person, you will be notified in advance. Even if classes can be held in person, there will always be a hybrid option to participate via Zoom.
Classes with "Zoom" in the title will be held via Zoom even after our doors open. Classes listed as "Online" will be held on Wet Ink, our platform for asynchronous learning.
All times are listed in Pacific Time.
Class Type: 6 SessionsOnline, Poetry
Term: Fall 2020
Start Date: 11/02/2020
No Class On: 11/23/2020
End Date: 12/14/2020
Days of the Week: Monday
Time: 5:00 pm – 7:00 pm
Minimum Class Size: 5
Maximum Class Size: 15
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$305.00 General Price:
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Sharon Bryan received her BA in Philosophy and an MA in Anthropology before she began to write poetry, and then received her MFA from the University of Iowa.
She has published four books of poems: Sharp Stars, Flying Blind, Objects of Affection, and Salt Air, which won The Governor’s Award from the State of Washington. She received the Isabella Gardner Award for Sharp Stars. Her other awards include two NEA Fellowships in Poetry, an Academy of American Poet’s Prize, the Discovery Award from The Nation, an Artist Trust Grant from the Washington State Arts Council, a Senior Fellowship to the Provincetown Fine Arts Work Center, a grant from the Utah Arts Council for the film collaboration Eureka, and a Fellowship in Poetry from the Tennessee Arts Commission, among others. She was Poet-in-Residence at The Frost Place in Franconia, New Hampshire.
She is also the editor of two collections: Where We Stand: Women Poets on Literary Tradition, and, with William Olsen, Planet on the Table: Poets on the Reading Life.
She taught at the University of Washington for seven years and at Memphis State University for six. Since then she has taught as a visiting poet in almost twenty writing programs around the country, including Dartmouth, the University of Houston, Western Michigan, Kalamazoo College, Ohio University, Wichita State, the University of Missouri at St. Louis, the University of North Carolina at Wilmington, San Diego State, and Fresno State. She has also been on the faculty of low-residency MFA Programs at Pacific Lutheran Universitiy, Warren Wilson, Pacific University, and Fairfield University.
She is currently on the faculty of the low-residency MFA in Creative Writing at Lesley University in Cambridge, Massachusetts. She lives in Seattle, Washington.