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Intermediate/Advanced | Often, we find ourselves with stacks or files of nearly finished, not-quite-there poems—revisions have come and gone and yet the poem remains in question. And the question is, Can this poem be saved? Well, sometimes yes and sometimes, sadly, no. But if you have poems that might need a new beginning or a new perceiving—this workshop asks that you bring them in and let’s see if the poem or poems can, indeed, be saved. Oh, and maybe you’ll find yourself with a stack of new poems, too.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 4 SessionsFeatured Writers, Online, Poetry
Start Date: 04/08/2021
No Class On: 4/29/2021
End Date: 05/06/2021
Days of the Week: Thursday
Time: 1:10 pm – 3:10 pm PDT
Minimum Class Size: 5
Maximum Class Size: 15
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$240.00 General Price:
Class has begun, registration is closed.
Arkansas born and raised; resident of New York City for more than four decades, Patricia Spears Jones is the recipient of The Jackson Poetry Prize, one the most prestigious awards for American Poets via Poets & Writers, Inc. The $50,000 prize is among the most substantial given to an American poet and is designed to provide what all poets need: time and encouragement to write. She is the eleventh winner. In language that is simultaneously sensuous, wise-cracking, explicit, and rollicking, Spears Jones describes a world rich in beauty and longing, with pain tempered always by joy.
Spears Jones was named by Essence as one of its “40 Poets They Love” in 2010. She is author of the poetry collections: Painkiller and Femme du Monde from Tia Chucha Press and The Weather That Kills from Coffee House Press and five chapbooks including Living in the Love Economy. Her fourth collection, A Lucent Fire: New and Selected Poems is out from White Pine Press (White Pine Press Distinguished Poets series) which features her 2016 Pushcart Prize winning poem, “Etta James at the Audubon Ballroom.” She was a finalist for the William Carlos Williams Prize from the Poetry Society of America and the Paterson Prize from the Passaic County Community College. Her work is widely anthologized. In 2015 she received a Barbara Deming Memorial Fund award for her memoir in progress.