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All Levels | Sensing like an octopus, how can we expand our imagery? What is the kraken’s myth, and where else can we take it? What makes words school like fish? What exists at our work’s hydrothermal depths? This generative class provides eclectic prompts using poetic and scientific sources for inspiration, including work by Elizabeth Bishop, Elizabeth Bradfield, Camille T. Dungy, and Aimee Nezhukumatathil. Most writing happens in class, culminating in a portfolio with optional conference. Slanted towards poetry; all genres welcome. No previous marine biology knowledge required.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 6 SessionsFiction, Multigenre, Nonfiction, Online, Poetry
Term: Winter 2022
Start Date: 01/16/2022
End Date: 02/20/2022
Days of the Week: Sunday
Time: 10:00 am – 12:00 pm PST
Minimum Class Size: 5
Maximum Class Size: 15
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$305.00 General Price:
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Sierra Nelson is a poet, performer, and installation artist. Her books include forthcoming poetry collection The Lachrymose Report (Poetry Northwest Editions), lyrical choose-your-own-adventure I Take Back the Sponge Cake (Rose Metal Press), and chapbook In Case of Loss (Toadlily). Earning her MFA in Poetry from University of Washington (2002), Nelson is a MacDowell Colony Fellow, Carolyn Kizer Prize winner, Pushcart Prize nominee, and winner of the Carolyn Kizer Prize and Seattle Office of Arts & Culture's CityArtist Grant. She is also co-founder of literary performance groups The Typing Explosion and Vis-à-Vis Society, and president of Seattle's Cephalopod Appreciation Society. For more info: songsforsquid.tumblr.com