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Introductory | When done well, dialogue can make our characters come alive on the page. When done poorly, it can make them sound robotic, contrived, or stilted. So what’s the difference between good dialogue and bad dialogue? How do we write the difference? Using examples from contemporary fiction, we’ll explore how to write natural dialogue that increases tension, advances character development, and grabs our reader’s attention. Students will have an opportunity to submit a short piece of dialogue for critique.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 2 SessionsFiction, Online
Start Date: 12/05/2020
End Date: 12/12/2020
Days of the Week: Saturday
Time: 1:10 pm – 3:10 pm PST
Minimum Class Size: 5
Maximum Class Size: 15
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$120.00 General Price:
Class has begun, registration is closed.
Becky Mandelbaum is the author of Bad Kansas (University of Georgia Press, 2017), which received the 2016 Flannery O’Connor Award for Short Fiction and is a finalist for the 2018 High Plains Book Award for First Book. Her work has appeared in The Missouri Review, The Georgia Review, Electric Lit, The Rumpus, Necessary Fiction, McSweeney’s Internet Tendency, and elsewhere. Originally from Kansas, she currently lives in Washington’s Skagit Valley.