Course Catalog

Documentary Poetry: Writing the Facts in Stanzas

All Levels | Documentary poetry captures historical moments in words and images. The poet may use multiple points of view, historical records and quotations, and even visual imagery or video. In this class, we’ll discuss and create mixed-genre contemporary documentary and historical poems, excavating and drawing literary inspiration from Patricia Smith, Tarfia Faizullah, Robin Coste Lewis, Bettina Judd, Claudia Castro Luna, and Quenton Baker.

Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.

If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.

If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.

If a class does not have a marker after its title, it will take place via Zoom.

Instructor: Anastacia-Renee

Class Type: 1 Session

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Start Date: 12/05/2020

Days of the Week: Saturday

Time: 12:00 pm – 4:00 pm PST

Minimum Class Size: 5

Maximum Class Size: 15

$108.00 Member Price:
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$120.00 General Price:

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Anastacia-Renee

Anastacia-Renee is a multi-genre writer, educator, and interdisciplinary artist. She is the recipient of the 2018 James W. Ray Distinguished Artist Award for Washington artists (Artist Trust), and has served as the 2017-2019 Seattle Civic Poet and the 2015-2017 poet-in-residence at Hugo House. Anastacia-Renee is a two-time Pushcart nominee and 2017 Artist of Year (Seattle). She is the author of five books: Forget It (Black Radish Books), (v.) (Black Ocean) 26 (Dancing Girl Press), Kiss Me Doll Face (Gramma Press), and Answer(Me) (Winged City Chapbooks, Argus Press) and has received writing fellowships and residencies from Cave Canem, Hedgebrook, VONA, Artist Trust, Jack Straw, Ragdale, Whiteley, Mineral School, and Hypatia in the Woods. Her cross-genre writing has appeared in a TEDx talk; the anthologies Women of Resistance: Poems for a New Feminism, Sinister Wisdom: Black Lesbians—We Are the Revolution, and Revise the Psalm: Work Celebrating the Writing of Gwendolyn Brooks; and Ms. Magazine, Split this Rock, Painted Bride Quarterly, Crab Creek Review, Seattle Review, The Fight & the Fiddle, Duende, Poetry Northwest, Synaethesia, Banqueted, Torch, Mom Egg Review, The Magazine of Glamorous Refusal, Pinwheel Journal, and many more. She teaches poetry and multi-genre workshops at Hugo House, libraries, universities, and high schools.

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