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VIDEO & TIME CHANGE: This class will take place via video-conferencing (Zoom). The time of class has been updated from the print catalog. The class now takes place from 12 – 4 pm.
Introductory / Intermediate | Do you want to liven up your dialogue? It might surprise you to learn that the most important things aren’t necessarily what’s said, but what’s not. This class introduces you to the art of subtext: those implied messages that give invisible life to the things we say. Through writing exercises and sample stories by authors such as Maxine Hong Kingston, Flannery O’Connor, Charles Baxter, and Karen Russell, you’ll learn to master the most important element of dynamic dialogue: what’s left unsaid.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 2 SessionsFiction, Multigenre, Nonfiction, Online
Start Date: 05/02/2020
End Date: 05/03/2020
Days of the Week: Saturday, Sunday
Time: 12:00 pm – 4:00 pm PDT
Minimum Class Size: 5
Maximum Class Size: 18
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$240.00 General Price:
Class has begun, registration is closed.
Susan V. Meyers has lived and taught in Chile, Costa Rica, and Mexico. She earned an MFA from the University of Minnesota and a PhD from the University of Arizona, and she currently directs the Creative Writing Program at Seattle University. Her fiction and nonfiction have been supported by grants from the Fulbright foundation, the National Endowment for the Humanities, 4Culture, Artist Trust, and the Squaw Valley Community of Writers, as well as several artists residencies. Her novel Failing the Trapeze won the Nilsen Award for a First Novel and the Fiction Attic Press Award for a First Novel, and it was a finalist for the New American Fiction Award. Other work has recently appeared in Per Contra, Calyx, Dogwood, The Portland Review, and The Minnesota Review, and it has twice been nominated for a Pushcart Prize.