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All Levels | Sensory detail is an integral part of poetry — but why stay limited to the classic human five? What if a poem perceived with eight eyes like a jumping spider, or drew synesthetic inspiration for touch and taste from an octopus or butterfly? How can Time as a sense inform our poetic structure? What new senses are available through dreams and hypnogogic states? This generative class of eclectic writing experiments will help you take your imagery and structures to new levels.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 6 SessionsOnline, Poetry
Start Date: 02/21/2021
End Date: 03/28/2021
Days of the Week: Sunday
Time: 1:10 pm – 3:10 pm PST
Minimum Class Size: 5
Maximum Class Size: 15
Become a member >
$305.00 General Price:
Class has begun, registration is closed.
Sierra Nelson is a poet, performer, and installation artist. Her books include forthcoming poetry collection The Lachrymose Report (Poetry Northwest Editions), lyrical choose-your-own-adventure I Take Back the Sponge Cake (Rose Metal Press), and chapbook In Case of Loss (Toadlily). Earning her MFA in Poetry from University of Washington (2002), Nelson is a MacDowell Colony Fellow, Carolyn Kizer Prize winner, Pushcart Prize nominee, and winner of the Carolyn Kizer Prize and Seattle Office of Arts & Culture's CityArtist Grant. She is also co-founder of literary performance groups The Typing Explosion and Vis-à-Vis Society, and president of Seattle's Cephalopod Appreciation Society. For more info: songsforsquid.tumblr.com