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This class will take place via video-conferencing (Zoom), Pacific Time.
All Levels | Let’s explore unexpected moves in poems: disruptions to syntax, shifts in tone, and leaps that move associatively down the page. In this workshop, you can expect in-class writing prompts that invite a sense of wildness and surprise to our creative work. We’ll study poems by poets such as Brenda Shaughnessy, Natasha Tretheway, Lawson Fusao Inada, and others. We’ll investigate how poets use various craft strategies to create an interplay between stabilizing and destabilizing forces in their work while engaging the reader in a journey of discovery.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Dilruba Ahmed is the author of Bring Now the Angels (Pitt Poetry Series, University of Pittsburgh Press, 2020). Her debut book of poetry, Dhaka Dust (Graywolf Press), won the Bakeless Prize. Her poems have appeared in American Poetry Review, Kenyon Review, New England Review, Ploughshares, and Poetry. Her poems have also been anthologized in The Best American Poetry 2019 (Scribner), Halal If You Hear Me (Haymarket Books), Literature: The Human Experience (Bedford/St. Martin’s), Indivisible: An Anthology of Contemporary South Asian American Poetry (University of Arkansas), and elsewhere. Ahmed is the recipient of The Florida Review’s Editors’ Award, a Dorothy Sargent Rosenberg Memorial Prize, and the Katharine Bakeless Nason Fellowship in Poetry awarded by the Bread Loaf Writers Conference. She holds degrees from the University of Pittsburgh and Warren Wilson College’s MFA Program for Writers.