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All Levels | We will explore how we write and think about money through readings of relevant texts and, ultimately, the production of our own money-related texts in workshop. The amount of money a person possessed was clearly stated in the 19th century novels of Jane Austen and Anthony Trollope. Money told the reader what a character could do, where they could go, who they could love. But, as Thomas Piketty explained, money disappeared from Western writing. This is very strange because, as the Wu-Tang Clan made very clear in the 1990s, cash rules everything around us. Our aim is to bring money back into your writing.
Due to COVID-19, all classes will take place online-either through Zoom or through Wet Ink, our asynchronous learning platform-through the end of 2020.
All times are listed in Pacific Time.
Class Type: 6 SessionsFiction, Multigenre, Nonfiction
Start Date: 07/23/2018
End Date: 08/27/2018
Days of the Week: Monday
Time: 7:10 pm – 9:10 pm
Minimum Class Size: 5
Maximum Class Size: 15
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$295.00 General Price:
Class has begun, registration is closed.
Charles Tonderai Mudede is a Zimbabwean-born writer, filmmaker, and cultural critic. He writes about film, books, music, crime, art, economics, and urban theory for The Stranger. Mudede has made three films, two of which, Police Beat and Zoo, premiered at Sundance, and one, Zoo, was screened at Cannes. Mudede has written for the New York Times, Arcade Journal, Cinema Scope, Ars Electronica, The Village Voice, Radical Urban Theory, and C Theory. Mudede is also on the editorial board for the Black Scholar, which is based at the University of Washington, and between 1999 and 2005, lectured on post-colonial theory at Pacific Lutheran University, and in 2003 published a short book, Last Seen, with Diana George. Mudede has lived in Seattle since 1989.