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All Levels | To publish nonfiction in any commercial journal and many literary ones, you must learn the art of the pitch. To pitch is to distill a story to its fundamentals. In few words, you must conjure plot, characters, and story structure, so that your editor trusts you to grow the story into a robust narrative. In this workshop, students will bring their ideas to life in pitch form—in order to entice editors and find opportunities for publishing new work. With special guests, Andrew Engelson, Cascadia Magazine founder and executive editor, and Florangela Davila, managing editor of Crosscut.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 4 SessionsNonfiction, Publishing, The Writing Life
Start Date: 06/24/2019
No Class On: 7/1/2019
End Date: 07/22/2019
Days of the Week: Monday
Time: 7:10 pm – 9:10 pm PDT
Minimum Class Size: 5
Maximum Class Size: 15
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$240.00 General Price:
Class has begun, registration is closed.
Madeline Ostrander’s work has appeared in The New Yorker, The Sun Magazine, Audubon Magazine, The Nation, Al Jazeera America, and High Country News. She is a full-time freelance science and environmental writer and the former senior editor of YES! Magazine.