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Contemporary poets have implored us to trust our patience with length in an age of bite-sized headlines. In this workshop, we will explore how the nuances, forms, and structures of long poems as meditations and investigations by writers such as Larry Levis, Brigit Pegeen Kelly, Robert Hayden, Anne Carson, John Murillo, and C.D. Wright, among others, sustain our attention in an ebb and flow of information, storytelling, and lyric imagery. We will grapple with ideas of economy, memory, and narrative arcs as we comb through the major tenets of the contemporary poem of length. This is a flexible workshop in which students will generate new material as well as offer previously written material for critique.
Due to COVID-19, all classes will take place online until further notice. If there's a possibility that your class might take place in person, you will be notified in advance. Even if classes can be held in person, there will always be a hybrid option to participate via Zoom.
Classes with "Zoom" in the title will be held via Zoom even after our doors open. Classes listed as "Online" will be held on Wet Ink, our platform for asynchronous learning.
All times are listed in Pacific Time.
Class Type: 1 SessionFeatured Writers, Online, Poetry
Term: Fall 2020
Start Date: 10/03/2020
Days of the Week: Saturday
Time: 10:00 am – 1:00 pm
Minimum Class Size: 5
Maximum Class Size: 15
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$150.00 General Price:
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Marcelo Hernandez Castillo is a poet, essayist, translator, and immigration advocate. He is the author of Cenzontle (BOA editions, 2018), chosen by Brenda Shaughnessy as the winner of the 2017 A. Poulin Jr. prize and winner of the 2018 Northern California Book Award. Cenzontle maps a parallel between the landscape of the border and the landscape of sexuality through surreal and deeply imagistic poems. Castillo’s first chapbook, Dulce (Northwestern University Press, 2018), was chosen by Chris Abani, Ed Roberson, and Matthew Shenoda as the winner of the Drinking Gourd Poetry Prize. His memoir Children of the Land (Harper Collins, 2020) is his most recent publication and explores the ideas of separation from deportation, trauma, and mobility between borders.
Castillo was born in Zacatecas, Mexico and immigrated at the age of five with his family to the California central valley. As an AB540 student, he earned his B.A. from Sacramento State University and was the first undocumented student to graduate from the Helen Zell Writers Program at the University of Michigan. His immigration case was used by the Supreme Court to justify the Deferred Action for Childhood Arrivals (DACA) under president Obama. Castillo is a founding member of the Undocupoets campaign which successfully eliminated citizenship requirements from all major first poetry book prizes in the country and was recognized with the Barnes and Noble “Writers for Writers” award from Poets &Writers Magazine. Through a literary partnership with Amazon Publishing he has helped to establish The Undocupoet Fellowship which provides funding to help curb the cost of submissions to journals and contests.
He is the translator of the Argentinian modernist poet, Jacobo Fijman and is currently at work translating the poems of the contemporary Mexican Peruvian poet Yaxkin Melchy whose poems combine digital, environmental, and indigenous studies into a cosmopolitan melée specific to Mexico City. Castillo also co-translated the work of the Mexican poet Marcelo Uribe with C.D. Wright before her untimely passing.
Castillo’s work has been adopted to Opera through collaboration with the composer Reinaldo Moya and his work has appeared or been featured in The New York Times, PBS Newshour, People Magazine en Español, The Paris Review, Fusion TV, Buzzfeed, Gulf Coast: A Journal of Literature and Fine Arts, New England Review, and Indiana Review, among others. He currently teaches in the Low-Res MFA program at Ashland University. He lives in Marysville, California, with his wife and son.