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Your life — everyone’s life — is an unending, overwhelming flow of events and feelings and memories and experiences. In this class, we’ll explore strategies for narrowing and selecting our material. Through in-class critique, writing exercises, and studying examples of the form, we’ll also explore building blocks of memoir: scene, character, and dialogue.
Due to COVID-19, all classes will take place online until further notice. If there's a possibility that your class might take place in person, you will be notified in advance. Even if classes can be held in person, there will always be a hybrid option to participate via Zoom.
Classes with "Zoom" in the title will be held via Zoom even after our doors open. Classes listed as "Online" will be held on Wet Ink, our platform for asynchronous learning.
All times are listed in Pacific Time.
Class Type: 1 SessionFeatured Writers, Nonfiction, Online
Term: Fall 2020
Start Date: 10/10/2020
Days of the Week: Saturday
Time: 10:00 am – 1:00 pm
Minimum Class Size: 5
Maximum Class Size: 15
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$150.00 General Price:
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Claire Dederer is the author of two critically acclaimed memoirs: Love and Trouble: A Midlife Reckoning and Poser: My Life in Twenty-Three Yoga Poses, which was a New York Times bestseller. Poser has been translated into 11 languages, optioned for television by Warner Bros., and adapted for the stage.
Dederer is at work on Monsters, a nonfiction book investigating good art made by bad people, forthcoming from Knopf. The book is based on her 2017 essay for the Paris Review, “What Do We Do with the Art of Monstrous Men?” The essay went globally viral, was a Longform best essay of the year, and has repeatedly been cited as one of the most influential and insightful pieces of writing on the Me Too movement to date.
Dederer is a long-time contributor to The New York Times. Her essays, criticism, and reviews have also appeared in The Paris Review, The Atlantic, The Nation, Vogue, Marie Claire, Elle, Real Simple, Entertainment Weekly, New York magazine, Chicago Tribune, Newsday, Slate, Salon, High Country News, and many other publications. Her essays have appeared in numerous anthologies, most recently Labor Day. Dederer began her career as the chief film critic for Seattle Weekly. She has taught at Hugo House and the University of Washington, as well as residencies, workshops, conferences, MFA programs, and universities across the country. She currently teaches at the Pacific University low residency MFA Program.
She is the recipient of a Hedgebrook residency and a Lannan Foundation residency.
Dederer is a fourth-generation Seattle native. She lives on an island in Puget Sound with her husband, the writer Bruce Barcott, and their children.