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All Levels | In each class, participants will close-read Tommy Pico, Jericho Brown, Mattilda Berstein-Sycamore, and Danez Smith’s current work. Participants will create multiple pieces, which will mirror the writers in terms of format and topic while simultaneously creating and queering their own poems. We’ll end class with a workshop and discussion regarding queer appropriation and the difference between writing queer characters and writing from a queer perspective.
Due to COVID-19, all classes will take place online-either through Zoom or through Wet Ink, our asynchronous learning platform-through Spring quarter 2021.
All times are listed in Pacific Time.
Class Type: 6 SessionsFiction, Multigenre, Nonfiction, Poetry
Start Date: 10/28/2019
No Class On: 11/11/2019
End Date: 12/09/2019
Days of the Week: Monday
Time: 7:10 pm – 9:10 pm PDT
Minimum Class Size: 5
Maximum Class Size: 15
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$290.00 General Price:
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Anastacia-Renee is a multi-genre writer, educator, and interdisciplinary artist. She is the recipient of the 2018 James W. Ray Distinguished Artist Award for Washington artists (Artist Trust), and has served as the 2017-2019 Seattle Civic Poet and the 2015-2017 poet-in-residence at Hugo House. Anastacia-Renee is a two-time Pushcart nominee and 2017 Artist of Year (Seattle). She is the author of five books: Forget It (Black Radish Books), (v.) (Black Ocean) 26 (Dancing Girl Press), Kiss Me Doll Face (Gramma Press), and Answer(Me) (Winged City Chapbooks, Argus Press) and has received writing fellowships and residencies from Cave Canem, Hedgebrook, VONA, Artist Trust, Jack Straw, Ragdale, Whiteley, Mineral School, and Hypatia in the Woods. Her cross-genre writing has appeared in a TEDx talk; the anthologies Women of Resistance: Poems for a New Feminism, Sinister Wisdom: Black Lesbians—We Are the Revolution, and Revise the Psalm: Work Celebrating the Writing of Gwendolyn Brooks; and Ms. Magazine, Split this Rock, Painted Bride Quarterly, Crab Creek Review, Seattle Review, The Fight & the Fiddle, Duende, Poetry Northwest, Synaethesia, Banqueted, Torch, Mom Egg Review, The Magazine of Glamorous Refusal, Pinwheel Journal, and many more. She teaches poetry and multi-genre workshops at Hugo House, libraries, universities, and high schools.