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Good work happens when we separate ourselves from our inner critics. While practical concerns such as audience, reception, form, and character will always have a place in the writing process, the best writing comes from a truly immersive environment. This session will consider strategies of internal and external separation and, in a few exercises, take unknowing from concept to practice.
Amelia Gray is the author of four books: AM/PM, Museum of the Weird, THREATS, and Gutshot. Her work has appeared in the New Yorker, Tin House, VICE, Flaunt, Guernica, BOMB, and Lucky Peach, among others. She lives in Los Angeles.