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Joan Didion writes: “We tell ourselves stories in order to live.” Oftentimes, the stories that make up our personal and collective history come in the form of prose, yet how can poetry engage nonfiction? How can we utilize poetic techniques to create tension and emotion when telling our narratives? We will explore memoir in poetry by connecting content with form. Indeed, how we write our stories affects the reader’s experience. We will consider poems rich with memoir, including Charles Olson, Kimiko Hahn, Jack Gilbert, Eduardo C. Corral, and more. Along with readings, the class will include generative writing prompts and mini-workshops.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 2 SessionsNonfiction, Poetry
Start Date: 11/14/2015
End Date: 11/15/2015
Days of the Week: Saturday, Sunday
Time: 1:00 PM – 4:00 PM PST
Minimum Class Size: 5
Maximum Class Size: 15
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$150.00 General Price:
Class has begun, registration is closed.
Jane Wong is the author of How to Not Be Afraid of Everything (Alice James, 2021) and Overpour (Action Books, 2016). Her poems and essays can be found in places such as Best American Nonrequired Reading 2019, Best American Poetry 2015, American Poetry Review, POETRY, Virginia Quarterly Review, McSweeney's, and Ecotone. A Kundiman fellow, she is the recipient of a Pushcart Prize and fellowships and residencies from Harvard's Woodberry Poetry Room, the U.S. Fulbright Program, Artist Trust, the Fine Arts Work Center, Hedgebrook, Willapa Bay, the Jentel Foundation, and others. She is an Associate Professor of Creative Writing at Western Washington University.