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All Levels | How might deliberate formal repetitions shape a book and its inquiries? In this reading-centered class, we’ll explore Eula Biss’s Having and Being Had, Brian Blanchfield’s Proxies, Ross Gay’s The Book of Delights, and Paisley Rekdal’s Appropriate, each of which uses a particular constraint or structure to generate a series of essays. We’ll pay close attention to the ways that form both arises from and influences content, how patterning relates to experimentation, and how these authors might influence our own writing.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 10 SessionsNonfiction, Online, Reading
Term: Winter 2022
Start Date: 01/18/2022
No Class On: 2/22/2022
End Date: 03/29/2022
Days of the Week: Tuesday
Time: 5:00 pm – 7:00 pm PST
Minimum Class Size: 5
Maximum Class Size: 15
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$480.00 General Price:
Registration for this class has not started.
Liza Birnbaum's fiction and essays have appeared in Web Conjunctions, jubilat, Open Letters Monthly, and other publications. She is a founding editor of Big Big Wednesday, an annual print journal of literature and visual art, and has taught creative writing in a number of settings, most recently at an alternative school for young women who are pregnant or parenting. In 2019, she will be a funded resident at the Lillian E. Smith Center at Piedmont College. She holds an MFA from the University of Massachusetts Amherst.