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Storytelling structure is often thought of in architectural metaphors: think Freytag’s Pyramid, or even Alice Munro’s house (“A story is not like a road to follow… it’s more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside is altered by being viewed from these windows.”) In this talk, we’ll borrow from a larger palette of metaphors to come up with more surprising — and possibly more helpful — ways of envisioning story structure.
Due to COVID-19, all classes will take place online-either through Zoom or through Wet Ink, our asynchronous learning platform-through Spring quarter 2021.
All times are listed in Pacific Time.
Class Type: 1 SessionFeatured Writers, Fiction, Online
Term: Winter 2021
Start Date: 02/05/2021
Days of the Week: Friday
Time: 1:10 pm – 4:10 pm
Minimum Class Size: 10
Maximum Class Size: 25
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$150.00 General Price:
Class has begun, registration is closed.
Lauren Groff is the author of the novels The Monsters of Templeton, shortlisted for the Orange Prize for New Writers, Delicate Edible Birds, a collection of stories, and Arcadia, a New York Times Notable Book, winner of the Medici Book Club Prize, and finalist for the L.A. Times Book Award.
Her third novel, Fates and Furies, was a finalist for the National Book Award in Fiction, the National Book Critics Circle Award, and the Kirkus Award. It won the 2015 American Booksellers’ Association Indies’ Choice Award for Fiction, was a New York Times Notable book and Bestseller, Amazon.com’s #1 book of 2015, and on over two dozen best-of 2015 lists. It also received the 2016 American Bookseller Association’s Indies’ Choice Award for Adult Fiction and, in France, the Madame Figaro Grand Prix de l’Héroïne. Rights have been sold in thirty countries.
Her most recent collection of stories, Florida, was released in June 2018. It won the Story Prize, and was a finalist for the National Book Award, Kirkus Prize, and the Southern Book Prize.
Her work has appeared in journals including the New Yorker, the Atlantic Monthly, Harper’s, Tin House, One Story, and Ploughshares, and in the anthologies 100 Years of the Best American Short Stories, The Pushcart Prize: Best of the Small Presses, PEN/O. Henry Prize Stories, and five editions of the Best American Short Stories.
In 2017, she was named by Granta Magazine as one of the Best of Young American Novelists of her generation.
In 2018, she received a Guggenheim fellowship in Fiction and a Fellowship at the Radcliffe Institute for Advanced Study.
She lives in Gainesville, Florida with her husband, two sons, and dog.