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All Levels | Time is always tricky, and writing about it is even tricker. Is the flow of passing moments subjective or is it something that’s out there and real? And what are moments? My class will be a combination of reading materials, discussions, and writing exercises that will break the writer from the continuum of common-sense time and lead them into a labyrinth of time.
Due to COVID-19, all classes will take place online-either through Zoom or through Wet Ink, our asynchronous learning platform-through Winter quarter 2021.
All times are listed in Pacific Time.
Class Type: 6 SessionsFiction, Multigenre, Nonfiction, Online
Term: Winter 2021
Start Date: 02/22/2021
End Date: 03/29/2021
Days of the Week: Monday
Time: 7:10 pm – 9:10 pm
Minimum Class Size: 5
Maximum Class Size: 15
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$305.00 General Price:
Registration for this class has not started.
Charles Tonderai Mudede is a Zimbabwean-born writer, filmmaker, and cultural critic. He writes about film, books, music, crime, art, economics, and urban theory for The Stranger. Mudede has made three films, two of which, Police Beat and Zoo, premiered at Sundance, and one, Zoo, was screened at Cannes. Mudede has written for the New York Times, Arcade Journal, Cinema Scope, Ars Electronica, The Village Voice, Radical Urban Theory, and C Theory. Mudede is also on the editorial board for the Black Scholar, which is based at the University of Washington, and between 1999 and 2005, lectured on post-colonial theory at Pacific Lutheran University, and in 2003 published a short book, Last Seen, with Diana George. Mudede has lived in Seattle since 1989.