MenuSkip to content
- Events & Programs
All Levels. What is the role of writing in laying the groundwork for social change or reshaping our social and political landscapes? How can we use our voices to speak of ills that are not our own? Two acclaimed writers from the University of Iowa’s International Writing Program will team-teach a three-hour session exploring the ways language impacts us and others, the power we have when we tell stories, and what it means to write righteously.
Save $10 with Early Bird Coupon 2016fall10 | Expires August 29
Eros Atalia (fiction writer; Philippines) teaches Filipino language, journalism, and film production and theory at the University of Santo Tomas. His award-winning short story “Si Intoy Syokoy ng Kalye Marino” and novel Ligo na u, lapit na me, have been adapted as films. He received numerous awards for his essays, poems, and fiction. He is currently a doctoral student in linguistics at the University of the Philippines. His IWP participation is made possible by the Bureau of Educational and Cultural Affairs at the U.S. Department of State.
Alice S. Yousef (poet, translator; Palestinian Territories) regularly publishes her poetry on her blog “Blooms in Indigo,” writing on such subjects as the Middle East, the Palestinian experience, or the emotions of daily life. In addition to poetry she has published short stories and translations. She earned a Master’s in creative writing from the University of Warwick in the United Kingdom. Her IWP participation is made possible by the Bureau of Educational and Cultural Affairs at the U.S. Department of State.
Due to COVID-19, all classes will take place online-either through Zoom or through Wet Ink, our asynchronous learning platform-through Winter quarter 2021.
All times are listed in Pacific Time.
Class Type: 1 SessionFeatured Writers, Fiction, Multigenre, Nonfiction, Poetry
Start Date: 10/05/2016
Days of the Week: Wednesday
Time: 5:00 PM – 8:00 PM
Minimum Class Size: 5
Maximum Class Size: 15
Become a member >
$89.00 General Price:
Class has begun, registration is closed.
The INTERNATIONAL WRITING PROGRAM (IWP) is the oldest and largest multinational writing residency in the world. With a tradition of excellence that has continued for nearly five decades, the IWP annually brings outstanding authors from every continent to the University of Iowa, a major American research institution internationally renowned for its writing programs. Since 1967, over 1,400 writers from more than 190 nations have taken part in the Fall Residency. The goal of the IWP is to provide authors a one-of- a-kind inter-cultural opportunity and the time and space to write, read, translate, study, conduct research, travel, give readings, stage work, and become part of the vibrant literary and academic community at the university and in Iowa City, the only American city designated as a UNESCO City of Literature, in part because of the IWP’s presence.
For 2017, the IWP will bring together 35 of the world’s emerging and established writers to participate in the Fall Residency’s unique inter-cultural experience. Over the course of 11 weeks, aside from working on their own projects, writers will give readings and lectures that share their work and cultures, collaborate with artists from other genres and art forms, and travel and interact with American audiences and literary communities across the United States.
Esther DISCHEREIT (poet, novelist, essayist, stage and radio dramatist; Germany) has given lectures and readings around the world. Most recently she published Blumen für Otello. Über die Verbrechen von Jena [Flowers for Othello. On the Crimes of Jena] and edited Havel, Hunde, Katzen, Tulpen, Garz erzählt [Havel, Dogs, Cats, Tulips – Garz Talking]. Her work spans multiple genres and often reflects the post-Holocaust landscape in Germany, e.g. Joëmis Tisch [Joëmis Table] and Übungen jüdisch zu sein [Exercises in Being Jewish]. In 2009 Dischereit received the Erich Fried Prize. In 2017 she was a visiting professor at the University of Virginia; she teaches at the University for Applied Arts in Vienna. Her participation is made possible by the Max Kade Foundation.
Julienne VAN LOON (novelist, essayist; Australia) is a research fellow at non/fictionLab of RMIT University in Melbourne. She won the Australian/Vogel’s Award and in 2005 was shortlisted for the Commonwealth Prize First Book Award for Road Story. Her work, including the recent novel Harmless, has strong creative and cultural connection to Asia, particularly China. Her forthcoming collection The Thinking Woman includes interviews with leading women from across the globe. Her participation is made possible by the Paul and Hualing Engle Fund.