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All Levels. In 1972, the American physicist P. W. Anderson published an influential paper titled “More Is Different.” What did he mean by this? Simply, there is a point when you have so much of something—so many cells, so many ants, so many people—that something new emerges. Moreover, that new thing could not be predicted by its constitutive elements. Nothing about an individual ant tells you anything about its colony. With this in mind, we turn to Seattle, a city that has gone through a lot of changes in recent years. What do these changes mean? And how can we write about them? Does a new Seattle demand a new language? This class will explore these questions and more with texts, writing workshops, and the general intellect/experiences of the participants.
Due to COVID-19, all classes will take place online-either through Zoom or through Wet Ink, our asynchronous learning platform-through the end of 2020.
All times are listed in Pacific Time.
Class Type: 6 SessionsFiction, Multigenre, Nonfiction
Start Date: 03/06/2017
End Date: 04/10/2017
Days of the Week: Monday
Time: 7:10 pm – 9:10 pm
Minimum Class Size: 5
Maximum Class Size: 15
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$295.00 General Price:
Class has begun, registration is closed.
Charles Tonderai Mudede is a Zimbabwean-born writer, filmmaker, and cultural critic. He writes about film, books, music, crime, art, economics, and urban theory for The Stranger. Mudede has made three films, two of which, Police Beat and Zoo, premiered at Sundance, and one, Zoo, was screened at Cannes. Mudede has written for the New York Times, Arcade Journal, Cinema Scope, Ars Electronica, The Village Voice, Radical Urban Theory, and C Theory. Mudede is also on the editorial board for the Black Scholar, which is based at the University of Washington, and between 1999 and 2005, lectured on post-colonial theory at Pacific Lutheran University, and in 2003 published a short book, Last Seen, with Diana George. Mudede has lived in Seattle since 1989.